The Orfento Gorge, Caramanico Terme

2025

The Orfento Valley is undoubtedly one of the most evocative places in the Maiella National Park: the clear water, the small waterfalls, the sound of the river and nature make the walk a unique experience. The trail begins with a wide view of the gorge from above and then descends into the lush river vegetation with intense and wonderful colors. The route is made even more evocative by a continuous succession of small clearings, waterfalls, and wooden bridges that repeatedly cross the river. The Orfento Gorge was the reserve where, in the 1980s, deer and roe deer were reintroduced for the first time, now present throughout the Maiella National Park. The world's leading scientific journal, Nature, has used this valley as a global example of its rich biodiversity. Nearby are ancient hermitages, silent guardians of faith and time, such as the hermitage of San Giovanni all'Orfento. These sacred places, nestled in the rock and surrounded by greenery, were a refuge for saints and hermits, including Pope Celestine V, who found spirituality and solitude in these valleys. Their echoes still resonate through the woods and gorges, giving those who walk there a sense of profound peace and connection with something eternal. An ancestral call that transforms the valley into a true natural sanctuary for the soul. Woods and mountains are natural medicine. Walking in nature helps us combat many ailments linked to a hectic and stressful lifestyle. Our simple walks are a way to get closer to nature, while also providing educational insights into the wonders of Abruzzo.

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Scanno. The Church of San Rocco

The Church of San Rocco, known as the Madonna del Carmine is located in Scanno. It is also called the Madonna del Carmine, because since 1784 it has been the seat of a confraternity of the same name

Morro D’Oro. The church of S. Maria di Propezzano

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Celano. Church of San Michele Arcangelo

The construction of the Church of San Michele Arcangelo dates back to the 14th century. At the end of the 14th century the Counts of Celano donated it to the congregation of the Celestine monks

Sulmona. Complex of the Santissima Annunziata.

The Santissima Annunziata complex is the most famous and representative monument of the city of Sulmona, declared a national monument in 1902. The main entrance to the complex is on the Annunziata square although other interesting visual glimpses of the building, especially for architectural interest, are admirable from the adjacent streets, via Pantaleo and via Paolina. The church, founded in 1320 by the confraternity of the Compenitenti together with the annexed hospital, does not retain traces of the original construction, both due to the damage suffered in the earthquake of 1456 and due to the architectural transformation interventions which radically modified the original structure of the sixteenth century. Furthermore, another ruinous seismic event, that of 1706, led to a new, important reconstruction intervention which gave the church a Baroque appearance, with an imposing façade with two orders of columns, the work of Maestro Norberto Cicco from Pescocostanzo ( 1710). The interior is divided into three naves and is covered with stuccos. Among the paintings that embellish the church are the frescoes by Giambattista Gamba on the vaults and the canvases on the side altars, among which the Pentecost of 1598 by a Florentine master and the Communion of the Apostles by Alessandro Salini stands out for their quality. The apse instead presents two works by Giuseppe Simonelli, a pupil of Luca Giordano, the Nativity and the Presentation in the temple and an Annunciation by Lazzaro Baldi, a Tuscan artist who was a pupil of Pietro da Cortona. The choir, in wood, was made by the local artist Bartolomeo Balcone between 1577 and 1579, while the part underneath the organs, in a vaguely rococo style, in carved and gilded wood, is by Ferdinando Mosca. The organs, on the other hand, are the one on the left side by Tommaso Cefalo di Vasto (1749) and the one on the right side was built by the Fedeli di Camerino in 1753. At the end of the right aisle is the altar of the Virgin, in polychrome marble, a work partly executed by the Roman artist Giacomo Spagna (1620), with subsequent contributions by artists from Pescocostanzo. On the right side, shortly after the entrance, there is the tomb of Panfilo Serafini, a Sulmona patriot who died in 1864. The sacristy has carved furniture dating back to 1643 with a series of sacred furnishings from the Baroque era and Neapolitan-made silverware; there are numerous pieces from the church that are placed on display in the local Civic Museum. The bell tower (built between 1565 and 1590, imposing, just over 65 meters high, has a square plan with sides of 7.20 m; it is built on two floors with a pyramidal spire and 4 mullioned windows on each floor. It is the bell tower and tallest tower in Abruzzo.The church was reopened for worship in December 2012 after three years of closure due to the 2009 earthquake.

Fara San Martino, Chieti. San Martino in Valle Abbey

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Palena. Glimpses of autumn

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Crecchio. Parish Church of the Most Holy Savior

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Alfedena. The Montagna Spaccata lake

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Stiffe Caves, Abruzzo, Italy

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