L'Aquila - Basilica of S. M. di Collemaggio

2018

The basilica of Santa Maria di Collemaggio is a religious building in L'Aquila, located just outside the city walls, on the hill of the same name. Founded in 1288 at the behest of Pietro da Morrone - crowned pope here with the name of Celestino V on 29 August 1294 - it is considered the highest expression of Abruzzo architecture, as well as the symbol of the city and was declared a national monument in 1902. Since 1327 houses the remains of the pontiff, currently preserved inside the mausoleum of Celestino V, built in 1517 by Girolamo da Vicenza, master of Andrea Palladio. It is the seat of an annual jubilee, the first in history, established with the Bull of Forgiveness of 29 September 1294 and known as Perdonanza Celestiniana; therefore, it is characterized by the presence of a Holy Door on the side facade. The church, which boasts the title of minor basilica together with the fellow citizens San Bernardino and San Giuseppe Artigiano, has been remodeled several times over the centuries mainly due to the damage caused by frequent earthquakes and presents a mixture of different architectural styles. Following the 2009 earthquake, it was subjected to consolidation and restoration works which ended in 2017.

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The Santissima Annunziata complex is the most famous and representative monument of the city of Sulmona, declared a national monument in 1902. The main entrance to the complex is on the Annunziata square although other interesting visual glimpses of the building, especially for architectural interest, are admirable from the adjacent streets, via Pantaleo and via Paolina. The church, founded in 1320 by the confraternity of the Compenitenti together with the annexed hospital, does not retain traces of the original construction, both due to the damage suffered in the earthquake of 1456 and due to the architectural transformation interventions which radically modified the original structure of the sixteenth century. Furthermore, another ruinous seismic event, that of 1706, led to a new, important reconstruction intervention which gave the church a Baroque appearance, with an imposing façade with two orders of columns, the work of Maestro Norberto Cicco from Pescocostanzo ( 1710). The interior is divided into three naves and is covered with stuccos. Among the paintings that embellish the church are the frescoes by Giambattista Gamba on the vaults and the canvases on the side altars, among which the Pentecost of 1598 by a Florentine master and the Communion of the Apostles by Alessandro Salini stands out for their quality. The apse instead presents two works by Giuseppe Simonelli, a pupil of Luca Giordano, the Nativity and the Presentation in the temple and an Annunciation by Lazzaro Baldi, a Tuscan artist who was a pupil of Pietro da Cortona. The choir, in wood, was made by the local artist Bartolomeo Balcone between 1577 and 1579, while the part underneath the organs, in a vaguely rococo style, in carved and gilded wood, is by Ferdinando Mosca. The organs, on the other hand, are the one on the left side by Tommaso Cefalo di Vasto (1749) and the one on the right side was built by the Fedeli di Camerino in 1753. At the end of the right aisle is the altar of the Virgin, in polychrome marble, a work partly executed by the Roman artist Giacomo Spagna (1620), with subsequent contributions by artists from Pescocostanzo. On the right side, shortly after the entrance, there is the tomb of Panfilo Serafini, a Sulmona patriot who died in 1864. The sacristy has carved furniture dating back to 1643 with a series of sacred furnishings from the Baroque era and Neapolitan-made silverware; there are numerous pieces from the church that are placed on display in the local Civic Museum. The bell tower (built between 1565 and 1590, imposing, just over 65 meters high, has a square plan with sides of 7.20 m; it is built on two floors with a pyramidal spire and 4 mullioned windows on each floor. It is the bell tower and tallest tower in Abruzzo.The church was reopened for worship in December 2012 after three years of closure due to the 2009 earthquake.

Villalago, Hermitage of San Domenico.

Morro D’Oro. The church of S. Maria di Propezzano

The church of Santa Maria di Propezzano is a Romanesque-style Catholic place of worship in Abruzzo located in the Vomano valley, in the municipality of Morro d'Oro, in the province of Teramo.

The village of Borrello, as also handed down by Benedetto Croce, was a fief of the Borrello family: the Abruzzo philosopher claims to have found a document from the year 1000 which would suggest some lordship of this family already at the end of the 10th century. In fact, the news is also confirmed in the most ancient historical sources, consulted and collected in the eighteenth century also by Antinori for the drafting of his Annali degli Abruzzi, in which the progenitor of the dynasty, a certain Borrello from whom the Castle then took its name and he perpetuated it over the centuries, he would have been a Frankish leader linked to the Counts of the Marsi. Croce, on the other hand, asserts that the family descends from some exponent of the Borel family of French origin.

Ortona. The Aragonese Castle

The Aragonese Castle is a fortification of Ortona, on the edge of the city and overlooking the sea. Famous residence of the protector of Ortona Ludovica Ianneys (1756-1812) from 1773 to 1812.

Celano and the Fucino Plain

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P.N.A.L.M. - Part III

The National Park of Abruzzo, Lazio and Molise is a national park including for the most part (about 3/4) in the province of L'Aquila in Abruzzo and for the remainder in that of Frosinone in Lazio and in that of Isernia in Molise. It was inaugurated on 9 September 1922 in Pescasseroli, the current headquarters and central management of the park, while the body of the same name had already been established on 25 November 1921 with a provisional directorate. Its establishment took place officially with the Royal decree-law of 11 January 1923.

Morro D’Oro. Church of SS. Salvatore

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Crecchio. Parish Church of the Most Holy Savior

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Manoppello. The Holy Face

The Holy Face is a depiction of the face of Jesus preserved in Manoppello, in the Basilica of the Holy Face.

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