Livorno. The Mascagni Terrace
2021
The Mascagni Terrace is one of the most elegant and evocative places in Livorno and is located on the seafront on the edge of Viale Italia.
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2021
Lucca, Tuscany. The basilica of San Frediano
The basilica of San Frediano is one of the oldest Catholic places of worship in Lucca, in Romanesque style, and is located in the homonymous square.
2021
Fucecchio. Franciscan Convent of the Virgin
It was built in the early seventeenth century. Instead of a small sixteenth-century oratory, a church and a convent were built, which in the mid-seventeenth century became a Franciscan.
2021
San Gimignano. The church of Sant'Agostino
2021
Fucecchio. Panorama from the lookout of the city
Fucecchio is an Italian town of 23,076 inhabitants in the metropolitan city of Florence in Tuscany, in the lower Valdarno.
2018
Fucecchio, parade of the districts 2018
The Palio delle Contrade Città di Fucecchio, commonly known as the Palio di Fucecchio, is an event reminiscent of a contest held in Fucecchio around 1200. Originally called Palio della Lancia, it takes place on the penultimate Sunday of May (except for the edition of 2017). The race includes two heats and a final, on horses mounted bareback by jockeys. The last historical edition of which we have news from the local historical archives dates back to June 14, 1863. It was only from the eighties that the carousel came back to life with regularity. The forerunner of the modern Palio was the "Fratres blood donors group", which in 1980 organized a pony race to promote blood donation. From the following year it was decided to organize a real Palio delle Contrade, with horses mounted in saddles. After an initial presence of sixteen districts, the number definitively dropped to the current twelve. From 1987 the saddle was abandoned, and the horses were mounted bareback. Since 1995, the FRATRES blood donors group left the Palio in the hands of the municipal administration, as it has grown a lot compared to how it was born. The event takes place inside the "ex quarry of Andrea" commonly called "La buca" by the locals: a natural racecourse suitable for horse racing. The land of the "hole" has been trodden by the strongest Italian jockeys: from Aceto to Cianchino, from Pesse to Trecciolino passing through other important jockeys such as Massimino II, Il Bufera, Bucefalo, Bastiano up to the youngest promises such as Gingillo, Lo Zedde , Bighino, Sgaibarre, Velvet, Tittia, Vittorio.
2021
Vinci. Church of Santa Croce
Of thirteenth-century origin, restored several times, it no longer retains the original structure. The neo-Renaissance style works carried out in the years 1925-1935 gave it its current appearance.
2023
Rocca di Montemurlo. Pieve di San Giovanni Decollato
The parish church of S. Giovanni Battista Decollato opens onto the square of the village. The parish church of Montemurlo has an ancient and controversial history, we find the first trace of it when Otto III, on the occasion of his coronation as emperor (995), descends to Italy for Rome and on his journey (998) confirms the possessions of Bishop Antonino of Pistoia among which our pieve is noted. It has a simple plan, with a single nave with presbytery and choir, modified in the second half of the last century. Originally the parish church had very small dimensions and it was only during the 16th century that we witness the first expansion works carried out by the humanist Bartolomeo Fonzio, parish priest in Montemurlo from 1494 to 1520, who had the rectory and the cloister built alongside the church, of which however, the round arches and columns with Corinthian capitals now walled up can still be traced. The parish church is 'protected' by an imposing bell tower which was originally a watchtower then transformed and refined, in the first half of the 16th century as part of the transformations carried out by the active parish priest, with the large mullioned windows that we see on each side, surmounted by brick arches. The large window is supported by octagonal columns and the shutters of the arches that conclude the tower are decorated with a notched frame that also surrounds the roof. Entering the church we cross a loggia, added during the 17th century, supported by brick columns with Ionic-inspired capitals. The interior of the church, with a goat-like roof, is enriched by four aedicule altars, one of which dates back to the 16th century, a model for the others built in the 18th century. On the altars and walls of the presbytery, valuable paintings by the painters Francesco Granacci, Giovanni Stradano, Matteo rosselli and Giacinto Fabroni.
2008
Prato, Castle of the Emperor
The fort of the Alberti di Prato once stood on the site where the present castle is located, which was almost completely razed to the ground in 1107 during the siege of the troops of Matilde di Canossa; in its place another palace, called "Palazzolo", was rebuilt to house the nuncios of the emperors Arrigo VI of Svevia and Otto IV of Brunswick (of which two towers remain, those without battlements, which until 1767-68 had about the double the current height); the area affected by the Castle has always been strategic, so much so that there are documents dating back to 1035 which testify to the presence of an older "palatium"; this building was the nucleus of Castrum Prati, the village that stood upstream of the building which also possessed an ancient parish church (Santa Maria in Castello, which no longer exists). The commission for the construction was given by Frederick II to Riccardo da Lentini, probably starting from 1240. The castle, originally tangent to the second walls (XII century), was partially surrounded by a moat and connected to the Albertian prisons from which definition " of the prisons "the nearby Marian shrine took its name. It has eight towers and has inherent, as for the Castel del Monte, various symbolic aspects, both in the structure and in the portal. Once completed it should have been used as an important garrison of the empire, testifying to the presence of the emperor on the possessions of the north. However, its construction was interrupted around 1250, due to the premature death of the emperor, and the unfinished structure was later used for many other purposes. During the fourteenth century, under the Florentine dominion, the castle was connected to the third circle of walls by a covered corridor called "Corridore del Cassero" (ie: corridor of the castle) or more simply Cassero. In this way the Florentine troops could easily enter the city from outside the walls using a protected passage.
2021
Livorno
Livorno, Tuscany. The Livorno seafront. The Ligurian sea as seen from Terrazza Mascagni
The Livorno seafront is a promenade that winds for several kilometers along the coast of the Ligurian Sea, starting from the port area and ideally ending in the coastal stretch of the Romito.
2009
Fiesole