Lucca, Tuscany. The basilica of San Frediano
2021
The basilica of San Frediano is one of the oldest Catholic places of worship in Lucca, in Romanesque style, and is located in the homonymous square.
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2021
Livorno. The Mascagni Terrace
The Mascagni Terrace is one of the most elegant and evocative places in Livorno and is located on the seafront on the edge of Viale Italia.
2021
Pisa, the cathedral of Santa Maria Assunta
The cathedral of Santa Maria Assunta, in the center of the Piazza del Duomo, also known as Piazza dei Miracoli, is the medieval cathedral of Pisa as well as the primatial church. Masterpiece of the Romanesque, in particular of the Pisan Romanesque, it represents the tangible testimony of the prestige and wealth achieved by the maritime republic of Pisa at the moment of its apogee. It was begun in 1063 (1064 according to the Pisan calendar in force at the time) by the architect Buscheto, with the tenth part of the booty of the undertaking of Palermo in Sicily against the Muslims (1063) led by Giovanni Orlandi belonging to the Orlandi family [1] . Different stylistic elements come together: classical, Lombard-Emilian, Byzantine and in particular Islamic, proof of the international presence of Pisan merchants at that time. In that same year the reconstruction of the Basilica of San Marco in Venice was also begun, so it may well be that at the time there was a rivalry between the two maritime republics to create the most beautiful and sumptuous place of worship. The church was erected in an area outside the early medieval walls, to symbolize the power of Pisa which did not need protection. The chosen area was already used in the Lombard period as a necropolis and, already in the early 11th century, an unfinished church was erected which must have been dedicated to Santa Maria. The new large church of Buscheto, in fact, was initially called Santa Maria Maggiore until it was definitively dedicated to Santa Maria Assunta.
2008
Prato
Prato is an Italian town of 194,390 inhabitants, the capital of the province of the same name in Tuscany. It is the second largest city in Tuscany and the third in central Italy by number of inhabitants after Rome and Florence. Until 1992, the year of the constitution of the province of the same name, it was the most populated non-provincial town in Italy, then in the province of Florence. The Prato plain was inhabited since the Etruscan era, but the birth of the city itself dates back, generally, to the 10th century, when we have news of two contiguous but distinct inhabited centers, Borgo al Cornio and Castrum Prati, which merged during the following century. In the Prato economy, textile production has always played a leading role since the Middle Ages, as evidenced by the documents of the merchant Francesco Datini, but it is in the nineteenth century that Prato saw an impetuous industrial development, which still make it one of the most important districts at the European level. The city boasts historical and artistic attractions of great importance, with a cultural itinerary that begins with the Etruscans and then expanded in the Middle Ages and reached its peak with the Renaissance, when artists of the caliber of Donatello, Filippo Lippi and Botticelli.
2007
Siena
Siena is an Italian town of 53 818 inhabitants, the capital of the province of the same name in Tuscany. The city is universally known for its huge historical, artistic and landscape heritage and for its substantial stylistic unity of medieval urban furniture, as well as for the famous Palio. In 1995 its historic center was included in the UNESCO World Heritage Site. The city is home to the Banca Monte dei Paschi di Siena, founded in 1472 and therefore the oldest bank in business as well as the longest-running in the world.
2021
Calci. The Charterhouse of Val Graziosa
The Certosa della Val Graziosa di Calci, commonly known as the Certosa di Pisa or also the Certosa di Calci, is located in the province of Pisa, in the municipality of Calci, in a flat area on the slopes of the Pisan mountains called "Val Graziosa".
2021
Livorno
Livorno, Tuscany. The Livorno seafront. The Ligurian sea as seen from Terrazza Mascagni
The Livorno seafront is a promenade that winds for several kilometers along the coast of the Ligurian Sea, starting from the port area and ideally ending in the coastal stretch of the Romito.
2021
San Miniato. The Cathedral of S. M. Assunta
The Cathedral of Santa Maria Assunta and San Genesio is the main Catholic place of worship in San Miniato, the mother church of the diocese of the same name.
2021
San Miniato, Tuscany. Rocca di Federico
2023
Rocca di Montemurlo. Pieve di San Giovanni Decollato
The parish church of S. Giovanni Battista Decollato opens onto the square of the village. The parish church of Montemurlo has an ancient and controversial history, we find the first trace of it when Otto III, on the occasion of his coronation as emperor (995), descends to Italy for Rome and on his journey (998) confirms the possessions of Bishop Antonino of Pistoia among which our pieve is noted. It has a simple plan, with a single nave with presbytery and choir, modified in the second half of the last century. Originally the parish church had very small dimensions and it was only during the 16th century that we witness the first expansion works carried out by the humanist Bartolomeo Fonzio, parish priest in Montemurlo from 1494 to 1520, who had the rectory and the cloister built alongside the church, of which however, the round arches and columns with Corinthian capitals now walled up can still be traced. The parish church is 'protected' by an imposing bell tower which was originally a watchtower then transformed and refined, in the first half of the 16th century as part of the transformations carried out by the active parish priest, with the large mullioned windows that we see on each side, surmounted by brick arches. The large window is supported by octagonal columns and the shutters of the arches that conclude the tower are decorated with a notched frame that also surrounds the roof. Entering the church we cross a loggia, added during the 17th century, supported by brick columns with Ionic-inspired capitals. The interior of the church, with a goat-like roof, is enriched by four aedicule altars, one of which dates back to the 16th century, a model for the others built in the 18th century. On the altars and walls of the presbytery, valuable paintings by the painters Francesco Granacci, Giovanni Stradano, Matteo rosselli and Giacinto Fabroni.
2021
San Gimignano. The church of San Pietro in Forliano