Fucecchio. Franciscan Convent of the Virgin

The abbey of San Salvatore is located in the upper part of Fucecchio, in the province of Florence, diocese of San Miniato.

The Franciscan sanctuary of La Verna (province of Arezzo) is famous for being the place where St. Francis of Assisi received the stigmata on September 16, 1224.

Prato is an Italian town of 194,390 inhabitants, the capital of the province of the same name in Tuscany. It is the second largest city in Tuscany and the third in central Italy by number of inhabitants after Rome and Florence. Until 1992, the year of the constitution of the province of the same name, it was the most populated non-provincial town in Italy, then in the province of Florence. The Prato plain was inhabited since the Etruscan era, but the birth of the city itself dates back, generally, to the 10th century, when we have news of two contiguous but distinct inhabited centers, Borgo al Cornio and Castrum Prati, which merged during the following century. In the Prato economy, textile production has always played a leading role since the Middle Ages, as evidenced by the documents of the merchant Francesco Datini, but it is in the nineteenth century that Prato saw an impetuous industrial development, which still make it one of the most important districts at the European level. The city boasts historical and artistic attractions of great importance, with a cultural itinerary that begins with the Etruscans and then expanded in the Middle Ages and reached its peak with the Renaissance, when artists of the caliber of Donatello, Filippo Lippi and Botticelli.

Fucecchio, Collegiate Church of San Giovanni Battista. Named after San Giovanni Battista, it stands on today's Piazza Vittorio Veneto, on the site of the ancient parish church.

The church, with three naves, is built in white and green marble. It most likely dates back to the 6th century. It is one of the most important examples of religious architecture between the twelfth and fifteenth centuries in the region, with an elegant passage inside it between the large Romanesque-Lombard arches and the impetus of Gothic in the transept, most likely designed by the famous Giovanni Pisano , which inside will create a wooden crucifix and his last masterpiece, the Madonna della Cintola, in 1317. The relic of the sacred Cintola is kept there. The most important works are the external pulpit (built by Michelozzo and decorated by Donatello), the internal pulpit by Mino da Fiesole and Antonio Rossellino from 1472, the Madonna dell'Ulivo, the only work created together by the famous brothers Da Maiano, Giovanni, Benedetto and Giuliano. In the transept instead there are the frescoes by Filippo Lippi (in the Cappella Maggiore), one of the greatest expressions of the Italian Renaissance, the frescoes by Paolo Uccello (in the Cappella dell'Assunta), and by Agnolo Gaddi (in the Chapel of the sacred Cintola), all interior of a bronze gate made by some of the most important goldsmiths of the fifteenth century.

The Certosa della Val Graziosa di Calci, commonly known as the Certosa di Pisa or also the Certosa di Calci, is located in the province of Pisa, in the municipality of Calci, in a flat area on the slopes of the Pisan mountains called "Val Graziosa".

Livorno, Tuscany. The Livorno seafront. The Ligurian sea as seen from Terrazza Mascagni The Livorno seafront is a promenade that winds for several kilometers along the coast of the Ligurian Sea, starting from the port area and ideally ending in the coastal stretch of the Romito.

the baptistery of San Giovanni is one of the monuments in the Piazza dei Miracoli, in Pisa; it rises in front of the western facade of the cathedral of Santa Maria Assunta, south of the monumental cemetery. It is the largest baptistery in Italy, and also in the world: its circumference measures 107.24 m, while the width of the masonry at the base is 263 cm (2 meters and 63 cm), for a height of 54 meters and 86 centimeters. The construction of the building began in the mid-twelfth century: "1153 mense Augusti fundata fuit haec ...", or "In the month of August 1153 it was founded ..." (1153 in the Pisan calendar corresponds to 1152). It replaces an earlier, smaller baptistery which was located north-east of the Cathedral, where the Camposanto is now located. It was built in Romanesque style by an architect who signed himself «Diotisalvi magister…» in a pillar inside the building. Later Nicola and Giovanni Pisano were also foremen of the yard, as well as Cellino di Nese. In the nineteenth century, at the same time as a renewal that affected the entire Piazza del Duomo and its monuments, the baptistery was subject to a radical restoration by the architect Alessandro Gherardesca, with interventions that led to the reconstruction of some portals and a large part of the decorative apparatus. Despite the denunciations of some intellectuals and prominent personalities of the Pisan culture of the time, such as Carlo Lasinio, the works, directed by the master builder Giovanni Storni, led to the removal of numerous sculptures by Nicola and Giovanni Pisano. The statues, placed at the top of the first order above and inside the vimpergas, were replaced with works that did not imitate the medieval taste, while the original sculptures were almost all lost except for those now exhibited at the Museo dell'Opera del Duomo. The intervention should have also extended inside, with the creation of frescoes in the central basin, but the project was not concretized and was essentially limited to the removal of non-medieval furnishings and the installation of new windows.