Teano. The Dome. Exteriors
2021
The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.
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2021
Teano. Church of San Paride ad Fontem
The building of S. Paride is a church with a basilica structure with three naves, and termination with a semicircular apse. The facade, where it is possible to admire the building technique in tuff blocks arranged in regular rows, is characterized by the presence of two semi-columns in tuff on the sides of the portal, and a third in the right corner. The half-columns each rest on a pilaster, also in tuff. A fourth semi-column must have been present near the left corner, where there is still a Tuscan base still in tuff. These still retain the Corinthian capitals of reuse, also in local tuff. The entrance is rather simple, with a molded secmicircular frame supported by two shelves with inlaid motifs in plants. The marble frame still preserves the kyma lesbio decoration, followed by a curb with parallel lines and a second frame with denticles. The frame overlooks a lunette where traces of a fresco can no longer be read. The whole is surmounted by two mullioned windows. Internally, the naves are divided into six bays and separated by arches supported on each side by five quadrangular pillars. The light comes from the mullioned windows placed on the perimeter walls. A large opening, now flanked, also with a round arch, is visible along the left perimeter. The only piece of furniture is the so-called chair of S. Paride, made up of a reddish tuff block. The interior is rather simple, and still has a small crypt with burials in the crate.
2023
Teano. Church of S. Antonio Abate
Dating back to the 14th century, the Church is made up of a single rectangular nave and a semicircular apse, the latter frescoed with episodes from the life of the Saint.
2021
Teano, Monastery of Sant'Antonio da Padova
On the top of the homonymous hill stands the Franciscan monastic complex dedicated to St. Anthony of Padua, a true symbol of Sidycin and non-Sidycin Christian devotion. Much has been written about the monastic complex in recent decades and almost everything is known about it by now. The monastery was built in 1427 by the Franciscan friars Martino di Campagna and Nicola di Castellammare di Stabia on a land owned by the knight Ludovico Galluccio
2020
Teano. The Cathedral. The central nave
The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.
2023
Naples. Galleria Umberto I
Galleria Umberto I is a shopping gallery built in Naples between 1887 and 1890. It is dedicated to Umberto I of Italy, in memory of his generous presence during the cholera epidemic of 1884.
2021
Teano, the Cathedral. Left side chapel
The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.
2021
Teano. Church of San Francesco.
Built in the fourteenth century, in Gothic style, by the Conventual Minors it was extensively remodeled in the Baroque age. The magnificent gilded wooden ceiling with one hundred finely carved coffers, with outlines decorated with wreaths of painted roses, for the splendor of the gilded mass wins the comparison with many other similar works. The panel in the center of the ceiling (St. Francis and the council), in which the popes Pius XII, John XXIII and Paul VI and the late bishop of Teano Mons. Sperandeo are depicted, is a modern work by Augusto De Rose. On the entrance door there is a large canvas of the Immaculate Conception by Girolamo Cenatiempo (first half of the 18th century).
2022
Caserta, the Royal Palace. The English Garden.
The Royal Palace of Caserta is a royal residence, historically belonging to the Bourbons of the Two Sicilies, located in Caserta. Commissioned by Charles of Bourbon, the laying of the first stone, which started the construction work, took place on January 20, 1752, based on a project by Luigi Vanvitelli: this was followed by his son Carlo and other architects. The palace was completed in 1845.
2021
Teano. The Dome. The Pulpit
The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.
2017
Pietrelcina (BN), church of Santa Maria degli Angeli
Santa Maria degli Angeli, parish church of Pietrelcina, preserves the polychrome wooden statue of the Neapolitan school of the end of the seventeenth century depicting the Madonna della Libera, patron saint of Pietrelcina, which Padre Pio affectionately calls "our Madonnella". In this church Fra Pio began his apostolate and, having obtained the diaconate, he administered the first baptism to a child who later became a Redemptorist priest. In this regard it is said that Padre Pio put so much salt, that the newborn, opening his little mouth, squinted his eyes - "smerzava l`uocchie" - words of Brother Pio, who frightened ran to the archpriest Don Salvatore Pannullo, saying: " I killed the child ”. On the eve of the solemnity of the Assumption, on 14 August 1910, four days after being ordained a priest, Padre Pio celebrated his first mass. A few days later he wrote to Father Benedetto of San Marco in Lamis: "For several days I was a little sick; perhaps the main cause of this was the too much emotion to which the spirit has been subject in these days… my heart is overflowing with joy and it feels stronger and stronger to encounter any affliction, when it comes to pleasing Jesus ”. In this church Padre Pio had interminable moments of prayer and intimacy with God, ecstasy at the foot of the altar, and the mystical phenomenon of the fusion of hearts: "The heart of Jesus and mine, allow me the expression, were no longer two hearts that beat, but only one. My heart was gone, like a drop of water that gets lost in the sea ”. And again: "I feel everything burn without fire ... a thousand flames consume me, I feel I am dying continuously and still alive". Padre Pio celebrated masses in this church that were "too long" and "incomprehensible mystery" so much so that the guardian father had asked the parish priest to recall him in his mind, because in this way he would immediately obey him out of holy obedience.