Vinci. Wonderful views of summer.

The tower of Pisa (popularly known as the leaning tower and, in Pisa, the Campanile or the Tower) is the bell tower of the cathedral of Santa Maria Assunta, in the famous Piazza del Duomo of which it is the most famous monument due to the characteristic slope, symbol of Pisa and among the iconic symbols of Italy. It is a separate bell tower 57 meters high (58.36 meters considering the foundation plan) built over two centuries, between the twelfth and fourteenth centuries. With a mass of 14 453 tons, the curved line predominates, with turns of blind arches and six floors of loggias. The slope is due to a subsidence of the underlying land which occurred in the early stages of construction. The inclination of the building measures 3.97 ° with respect to the vertical axis. The tower is managed by the Opera della Primaziale Pisana, a body that manages all the monuments in the Piazza del Duomo in Pisa. It was proposed as one of the seven wonders of the modern world. Work began on 9 August 1173. The foundations were left to rest for a whole year. Some studies attribute the authorship of the project to the Pisan architect Diotisalvi, who was building the baptistery at the same time. The similarities between the two buildings are in fact many, starting with the type of foundations. Others suggest instead Gherardi, while according to Vasari the works were started by Bonanno Pisano. Vasari's thesis was considered valid above all after the discovery in the vicinity of the bell tower of a tombstone with the name of Bonanno, walled up in the atrium of the building; moreover, in the nineteenth century an epigraphic fragment of pink material was always found in the surroundings, probably a cast on which a metal plate was cast, which is placed on the jamb of the building's entrance door. On this fragment we read, upside down: "Pisan citizen named Bonanno". This cast in all probability related to the royal door of the Cathedral, destroyed during the fire of 1595. The first phase of the works was interrupted in the middle of the third floor, due to the subsidence of the land on which the base of the bell tower stands. The softness of the ground, made up of normally consolidated soft clay, is the cause of the slope of the tower and, although to a lesser extent, of all the buildings in the square. The works resumed in 1275 under the guidance of Giovanni di Simone and Giovanni Pisano, adding another three floors to the previous building. In an attempt to straighten the tower, the three additional floors tend to curve away from the slope. The bell tower was completed in the middle of the following century, adding the belfry.

The church of San Giusto is a church in Lucca located in the square of the same name. The current building, built on a previous one, dates back to the second half of the 12th century.

The parish church of S. Giovanni Battista Decollato opens onto the square of the village. The parish church of Montemurlo has an ancient and controversial history, we find the first trace of it when Otto III, on the occasion of his coronation as emperor (995), descends to Italy for Rome and on his journey (998) confirms the possessions of Bishop Antonino of Pistoia among which our pieve is noted. It has a simple plan, with a single nave with presbytery and choir, modified in the second half of the last century. Originally the parish church had very small dimensions and it was only during the 16th century that we witness the first expansion works carried out by the humanist Bartolomeo Fonzio, parish priest in Montemurlo from 1494 to 1520, who had the rectory and the cloister built alongside the church, of which however, the round arches and columns with Corinthian capitals now walled up can still be traced. The parish church is 'protected' by an imposing bell tower which was originally a watchtower then transformed and refined, in the first half of the 16th century as part of the transformations carried out by the active parish priest, with the large mullioned windows that we see on each side, surmounted by brick arches. The large window is supported by octagonal columns and the shutters of the arches that conclude the tower are decorated with a notched frame that also surrounds the roof. Entering the church we cross a loggia, added during the 17th century, supported by brick columns with Ionic-inspired capitals. The interior of the church, with a goat-like roof, is enriched by four aedicule altars, one of which dates back to the 16th century, a model for the others built in the 18th century. On the altars and walls of the presbytery, valuable paintings by the painters Francesco Granacci, Giovanni Stradano, Matteo rosselli and Giacinto Fabroni.

The basilica of San Frediano is one of the oldest Catholic places of worship in Lucca, in Romanesque style, and is located in the homonymous square.

Fucecchio (pronounced / fuˈʧekkjo /; fučékki̯o, Ficeclum in Latin) is an Italian town of 23,343 inhabitants in the metropolitan city of Florence in Tuscany, in the lower Valdarno. The Municipality is located on the right bank of the Arno river, on the border between the metropolitan city of Florence and the provinces of Pisa, Lucca and Pistoia and near the wet area of ​​the Fucecchio Marsh. Its territory covers an area of ​​65 km², on average around 25 m s.l.m .; the town extends partly lying on a hill, which since ancient times has taken the name of "Poggio Salamartano", and for the most part in the flat area on its slopes. About 45 kilometers from Florence and 38 from Pisa, included in the Leather District, borders to the north with the municipalities of Chiesina Uzzanese and Ponte Buggianese, to the east with the municipalities of Larciano and Cerreto Guidi, to the south with the municipality of San Miniato and to the west with the municipalities of Santa Croce sull'Arno, Castelfranco di Sotto and Altopascio. The toponym is attested for the first time in 1027 [5] as "Ficiclo", "Ficecli" and "Ficecchio" and derives from the Latin ficetulum with the meaning of "wood of fig, place of figs ".

Prato is an Italian town of 194,390 inhabitants, the capital of the province of the same name in Tuscany. It is the second largest city in Tuscany and the third in central Italy by number of inhabitants after Rome and Florence. Until 1992, the year of the constitution of the province of the same name, it was the most populated non-provincial town in Italy, then in the province of Florence. The Prato plain was inhabited since the Etruscan era, but the birth of the city itself dates back, generally, to the 10th century, when we have news of two contiguous but distinct inhabited centers, Borgo al Cornio and Castrum Prati, which merged during the following century. In the Prato economy, textile production has always played a leading role since the Middle Ages, as evidenced by the documents of the merchant Francesco Datini, but it is in the nineteenth century that Prato saw an impetuous industrial development, which still make it one of the most important districts at the European level. The city boasts historical and artistic attractions of great importance, with a cultural itinerary that begins with the Etruscans and then expanded in the Middle Ages and reached its peak with the Renaissance, when artists of the caliber of Donatello, Filippo Lippi and Botticelli.