Offida. Monumento alla Merlettaia

Castel Trosino is a small village of medieval origins which embodies an important series of historical, architectural, cultural and environmental "values". Castel Trosino has always been located in an important area that leads from the Apennine passes to the Adriatic Sea. It is in fact widespread opinion that the original Salaria consular road passed on this route, we do not know if this corresponds to the truth, but it is certain that through this important village there was a route that connected with the southern area of Umbria, a director widely used in Roman and early medieval times. The small village is located on a travertine rock (the main material of the area) as a cliff over the Castellano valley. The small village of the castle itself is organized around a central street that penetrates inside to the main square in front of the church dedicated today to San Lorenzo Martire.

The church of Sant'Agostino is a religious building in Recanati. The structure is known for its bell tower which inspired Giacomo Leopardi's poem Il spero solitario.

Town Hall. Built between the 13th and 14th centuries (central crenellated tower). The façade is preceded by a 7-arched portico with an elegant 14-arched loggia raised in the 15th century. Inside there is a small art gallery with works by Pietro Alamanno and Simone de Magistris from Caldarola. In the municipal historical archive there is, among other things, the mutilated parchment cadastre of the fourteenth century with a good 70 parchments in Gothic characters.

Built in the 13th century, it has a Romanesque style exterior and a late Baroque interior, and also houses many works of art.

The church is located on the western edge of the town, surrounded on three sides by cliffs that open onto two valleys. It is a Romanesque-Gothic brick construction, built by Maestro Albertino in 1330 on a pre-existing small Benedictine church. The façade, facing the outside of the town, is articulated by pilasters and on the opposite side there are three high polygonal apses with white stone pilasters, single lancet windows and Gothic arches. On the central apse there is a Romanesque-Gothic portal that leads into the crypt (3 then 5 naves), as wide as the upper church and decorated with frescoes attributed to the Master of Offida. The upper church, with a single hall according to the tradition of the mendicant orders, preserves frescoes of Giotto influence, still attributed to the Master of Offida (those of the transept are dated by an inscription to 1367) and others attributed to Giacomo da Campli (15th century) . Part of the original decorations were also lost due to the deterioration of the roof. In the side altars, erected in different eras, there is the one dedicated to Saint Andrew, from the 15th century, with an altarpiece frescoed on the wall by Vincenzo Pagani. During the advance of the allied troops, between 16 and 18 June 1944 some German soldiers had completely undermined the church so that the rubble was in the way of the allies, but none of the thirty mines exploded and the inhabitants attributed the episode to a miracle of the Virgin. On the left side of the first step of the staircase leading to the church a sheep is represented eating a four-leaf clover; popular belief has it that if you position yourself on it, walking backwards along the staircase, with your eyes closed, your wish will be fulfilled.

Built in 1400 and rebuilt in 1700. In it there is a faithful reproduction of the Holy House of Loreto as it was before the fire of 1921 and an ancient image of the Madonna.

Montefortino, Marche, Italy. Ambro River. Waterfalls of the Sanctuary of the Madonna dell'Ambro

Collegiate Church. Built between 1785 and 1798 by the Ticino architect Pietro Maggi, who substituted and profoundly changed the design by Ascoli Lazzaro Giosafatti; it has a neoclassical Louis XVI interior and a facade built only at the end of the nineteenth century in an eclectic style of brick and travertine. Inside, among other things, there is a thirteenth-century wooden casket with 26 ivory figurines of northern art, a fourteenth-century processional cross, a fifteenth-century reliquary, a sixteenth-century wooden group, a wooden crucifix by Desiderio Bonfini (1612) , paintings of the fourteenth, fifteenth and sixteenth centuries (Crivellesque school and school of Pietro Alemanno). The choir carved with twisted columns and mirrors in Verona briar with two orders of 14 stalls was built by Alessio Donati for the church of Santa Maria della Rocca but was transferred in 1794 to the Collegiate, together with the relics of San Leonardo di Noblac preserved in a urn placed inside the main altar, also in wood. On 12 November 1994 the body of Blessed Corrado da Offida was placed in the third altar on the left, solemnly moved from Perugia, where it had been kept in the now no longer consecrated Church of San Francesco al Prato. The church, despite the distance, was affected by the strong earthquake that occurred in L'Aquila on 6 April 2009: in fact, on the day of the earthquake some pieces of plaster fell off the bell tower.

Overlooking Piazza del Popolo, it stands out for its elegant medieval crenellated tower next to the historic Meletti café. Built between the 13th and 14th centuries from the union of three small buildings separated by two rue, one of which was equipped with a tower which was later reused, it was remodeled following the fire that almost entirely destroyed the interior in 1535. The central portal, preceded by a staircase and surmounted by the monument to Paul III, the courtyard with three orders of loggias and the staircase, the latter built by Camillo Merli around 1550, date back to that period.