Siena

2007

Siena is an Italian town of 53 818 inhabitants, the capital of the province of the same name in Tuscany. The city is universally known for its huge historical, artistic and landscape heritage and for its substantial stylistic unity of medieval urban furniture, as well as for the famous Palio. In 1995 its historic center was included in the UNESCO World Heritage Site. The city is home to the Banca Monte dei Paschi di Siena, founded in 1472 and therefore the oldest bank in business as well as the longest-running in the world.

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Prato is an Italian town of 194,390 inhabitants, the capital of the province of the same name in Tuscany. It is the second largest city in Tuscany and the third in central Italy by number of inhabitants after Rome and Florence. Until 1992, the year of the constitution of the province of the same name, it was the most populated non-provincial town in Italy, then in the province of Florence. The Prato plain was inhabited since the Etruscan era, but the birth of the city itself dates back, generally, to the 10th century, when we have news of two contiguous but distinct inhabited centers, Borgo al Cornio and Castrum Prati, which merged during the following century. In the Prato economy, textile production has always played a leading role since the Middle Ages, as evidenced by the documents of the merchant Francesco Datini, but it is in the nineteenth century that Prato saw an impetuous industrial development, which still make it one of the most important districts at the European level. The city boasts historical and artistic attractions of great importance, with a cultural itinerary that begins with the Etruscans and then expanded in the Middle Ages and reached its peak with the Renaissance, when artists of the caliber of Donatello, Filippo Lippi and Botticelli.

Fucecchio, Tuscany, Italy. Panoramas

San Miniato. Views on a summer day with clouds

San Miniato is an Italian municipality in Tuscany. The historic center of the city is located in a strategic position on a hill halfway between Florence and Pisa.

Pisa, The baptistery of San Giovanni

the baptistery of San Giovanni is one of the monuments in the Piazza dei Miracoli, in Pisa; it rises in front of the western facade of the cathedral of Santa Maria Assunta, south of the monumental cemetery. It is the largest baptistery in Italy, and also in the world: its circumference measures 107.24 m, while the width of the masonry at the base is 263 cm (2 meters and 63 cm), for a height of 54 meters and 86 centimeters. The construction of the building began in the mid-twelfth century: "1153 mense Augusti fundata fuit haec ...", or "In the month of August 1153 it was founded ..." (1153 in the Pisan calendar corresponds to 1152). It replaces an earlier, smaller baptistery which was located north-east of the Cathedral, where the Camposanto is now located. It was built in Romanesque style by an architect who signed himself «Diotisalvi magister…» in a pillar inside the building. Later Nicola and Giovanni Pisano were also foremen of the yard, as well as Cellino di Nese. In the nineteenth century, at the same time as a renewal that affected the entire Piazza del Duomo and its monuments, the baptistery was subject to a radical restoration by the architect Alessandro Gherardesca, with interventions that led to the reconstruction of some portals and a large part of the decorative apparatus. Despite the denunciations of some intellectuals and prominent personalities of the Pisan culture of the time, such as Carlo Lasinio, the works, directed by the master builder Giovanni Storni, led to the removal of numerous sculptures by Nicola and Giovanni Pisano. The statues, placed at the top of the first order above and inside the vimpergas, were replaced with works that did not imitate the medieval taste, while the original sculptures were almost all lost except for those now exhibited at the Museo dell'Opera del Duomo. The intervention should have also extended inside, with the creation of frescoes in the central basin, but the project was not concretized and was essentially limited to the removal of non-medieval furnishings and the installation of new windows.

Rocca di Montemurlo. Pieve di San Giovanni Decollato

The parish church of S. Giovanni Battista Decollato opens onto the square of the village. The parish church of Montemurlo has an ancient and controversial history, we find the first trace of it when Otto III, on the occasion of his coronation as emperor (995), descends to Italy for Rome and on his journey (998) confirms the possessions of Bishop Antonino of Pistoia among which our pieve is noted. It has a simple plan, with a single nave with presbytery and choir, modified in the second half of the last century. Originally the parish church had very small dimensions and it was only during the 16th century that we witness the first expansion works carried out by the humanist Bartolomeo Fonzio, parish priest in Montemurlo from 1494 to 1520, who had the rectory and the cloister built alongside the church, of which however, the round arches and columns with Corinthian capitals now walled up can still be traced. The parish church is 'protected' by an imposing bell tower which was originally a watchtower then transformed and refined, in the first half of the 16th century as part of the transformations carried out by the active parish priest, with the large mullioned windows that we see on each side, surmounted by brick arches. The large window is supported by octagonal columns and the shutters of the arches that conclude the tower are decorated with a notched frame that also surrounds the roof. Entering the church we cross a loggia, added during the 17th century, supported by brick columns with Ionic-inspired capitals. The interior of the church, with a goat-like roof, is enriched by four aedicule altars, one of which dates back to the 16th century, a model for the others built in the 18th century. On the altars and walls of the presbytery, valuable paintings by the painters Francesco Granacci, Giovanni Stradano, Matteo rosselli and Giacinto Fabroni.

Fucecchio. Franciscan Convent of the Virgin

It was built in the early seventeenth century. Instead of a small sixteenth-century oratory, a church and a convent were built, which in the mid-seventeenth century became a Franciscan.

Prato, the Cathedral

The church, with three naves, is built in white and green marble. It most likely dates back to the 6th century. It is one of the most important examples of religious architecture between the twelfth and fifteenth centuries in the region, with an elegant passage inside it between the large Romanesque-Lombard arches and the impetus of Gothic in the transept, most likely designed by the famous Giovanni Pisano , which inside will create a wooden crucifix and his last masterpiece, the Madonna della Cintola, in 1317. The relic of the sacred Cintola is kept there. The most important works are the external pulpit (built by Michelozzo and decorated by Donatello), the internal pulpit by Mino da Fiesole and Antonio Rossellino from 1472, the Madonna dell'Ulivo, the only work created together by the famous brothers Da Maiano, Giovanni, Benedetto and Giuliano. In the transept instead there are the frescoes by Filippo Lippi (in the Cappella Maggiore), one of the greatest expressions of the Italian Renaissance, the frescoes by Paolo Uccello (in the Cappella dell'Assunta), and by Agnolo Gaddi (in the Chapel of the sacred Cintola), all interior of a bronze gate made by some of the most important goldsmiths of the fifteenth century.

Fucecchio, parade of the districts 2018

The Palio delle Contrade Città di Fucecchio, commonly known as the Palio di Fucecchio, is an event reminiscent of a contest held in Fucecchio around 1200. Originally called Palio della Lancia, it takes place on the penultimate Sunday of May (except for the edition of 2017). The race includes two heats and a final, on horses mounted bareback by jockeys. The last historical edition of which we have news from the local historical archives dates back to June 14, 1863. It was only from the eighties that the carousel came back to life with regularity. The forerunner of the modern Palio was the "Fratres blood donors group", which in 1980 organized a pony race to promote blood donation. From the following year it was decided to organize a real Palio delle Contrade, with horses mounted in saddles. After an initial presence of sixteen districts, the number definitively dropped to the current twelve. From 1987 the saddle was abandoned, and the horses were mounted bareback. Since 1995, the FRATRES blood donors group left the Palio in the hands of the municipal administration, as it has grown a lot compared to how it was born. The event takes place inside the "ex quarry of Andrea" commonly called "La buca" by the locals: a natural racecourse suitable for horse racing. The land of the "hole" has been trodden by the strongest Italian jockeys: from Aceto to Cianchino, from Pesse to Trecciolino passing through other important jockeys such as Massimino II, Il Bufera, Bucefalo, Bastiano up to the youngest promises such as Gingillo, Lo Zedde , Bighino, Sgaibarre, Velvet, Tittia, Vittorio.

Lucca. The Cathedral of San Martino

The Cathedral of San Martino is the main Catholic place of worship in the city of Lucca. According to tradition, the cathedral was founded by San Frediano in the sixth century, then rebuilt by Anselmo da Baggio, bishop of the city, in 1060.

Wonderful glimpses of summer

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