Vairano Patenora. Church of Santa Maria di Loreto

The cathedral of San Clemente is the main place of worship in the city of Teano, in Campania, and the seat of the diocese of Teano-Calvi

Built in the fourteenth century, in Gothic style, by the Conventual Minors it was extensively remodeled in the Baroque age. The magnificent gilded wooden ceiling with one hundred finely carved coffers, with outlines decorated with wreaths of painted roses, for the splendor of the gilded mass wins the comparison with many other similar works. The panel in the center of the ceiling (St. Francis and the council), in which the popes Pius XII, John XXIII and Paul VI and the late bishop of Teano Mons. Sperandeo are depicted, is a modern work by Augusto De Rose. On the entrance door there is a large canvas of the Immaculate Conception by Girolamo Cenatiempo (first half of the 18th century).

The Royal Palace of Caserta is a royal palace, with an adjoining park, located in Caserta. It is the largest royal residence in the world by volume and the historical owners were the Bourbons of Naples, as well as a short period in which it was inhabited by the Murat.

Borgonuovo di Teano, Campania. Sanctuary of Maria Santissima della Libera

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.

Santa Maria degli Angeli, parish church of Pietrelcina, preserves the polychrome wooden statue of the Neapolitan school of the end of the seventeenth century depicting the Madonna della Libera, patron saint of Pietrelcina, which Padre Pio affectionately calls "our Madonnella". In this church Fra Pio began his apostolate and, having obtained the diaconate, he administered the first baptism to a child who later became a Redemptorist priest. In this regard it is said that Padre Pio put so much salt, that the newborn, opening his little mouth, squinted his eyes - "smerzava l`uocchie" - words of Brother Pio, who frightened ran to the archpriest Don Salvatore Pannullo, saying: " I killed the child ”. On the eve of the solemnity of the Assumption, on 14 August 1910, four days after being ordained a priest, Padre Pio celebrated his first mass. A few days later he wrote to Father Benedetto of San Marco in Lamis: "For several days I was a little sick; perhaps the main cause of this was the too much emotion to which the spirit has been subject in these days… my heart is overflowing with joy and it feels stronger and stronger to encounter any affliction, when it comes to pleasing Jesus ”. In this church Padre Pio had interminable moments of prayer and intimacy with God, ecstasy at the foot of the altar, and the mystical phenomenon of the fusion of hearts: "The heart of Jesus and mine, allow me the expression, were no longer two hearts that beat, but only one. My heart was gone, like a drop of water that gets lost in the sea ”. And again: "I feel everything burn without fire ... a thousand flames consume me, I feel I am dying continuously and still alive". Padre Pio celebrated masses in this church that were "too long" and "incomprehensible mystery" so much so that the guardian father had asked the parish priest to recall him in his mind, because in this way he would immediately obey him out of holy obedience.

The church of San Ferdinando is a monumental church in Naples located in the historic center of the city, in Piazza Trieste e Trento.

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.

Town of pre-Roman origins, located on the slopes of the volcanic massif of Roccamonfina.