Teano. Glimpses
2021
Teano, the ancient Teanum Sidicinum, well known as the site of the historic meeting between Vittorio Emanuele II and Garibaldi in 1860, is located at the foot of the Roccamonfina volcanic group in the province of Caserta, has a rich monumental heritage, great environmental value and numerous ancients. Inhabited by the populations of the Aurunci and Sidicini, of Samnite origin and perhaps occasional cause of the outbreak of the first Samnite war in 343 BC, it has returned some of the first four documents in Italian vernacular, just after the middle of the tenth century, the "papers of Teano". The city was the birthplace of Antonello Petrucci one of the leaders of the so-called fifteenth-century Conjugation of the Barons and owner of a palace in Naples located in Piazza San Domenico Maggiore, next to the entrance to the church of the same name. The ancient Teanum occupied the place of the current city while the thermal baths and the amphitheater fell outside the walls, had an irregular perimeter and an area of about 7 and a half hectares.
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2018
Roccamonfina, sanctuary of Maria SS dei Lattani
The sanctuary of Maria Santissima dei Lattani is a Marian sanctuary located in the territory of the municipality of Roccamonfina, in Campania, the place of death of the bishop Giacinto Tamburini. The sanctuary was founded in 1430 by San Bernardino da Siena and San Giacomo della Marca, who had arrived there following the news of the discovery of a statue of the Virgin in the same or the previous year. A first rural chapel was built, then a first church, enlarged shortly after in its present form between 1448 and 1507. In 1446 Pope Eugene IV entrusted the convent, which had risen in the meantime, to the Franciscans. In March 1970 the sanctuary was elevated by Pope Paul VI to the dignity of a minor basilica. The buildings of the sanctuary open onto a large internal courtyard, opening onto the panorama. It is overlooked by the church, the convent and a building built at the time of its foundation, called "Protoconventino" or "hermitage of San Bernardino", recently restored in its original form. The facade of the church, preceded by a large porch with a round arch, preserves the original wooden door of 1507. The interior, with a single nave, divided into spans by pillars that support the cross vault with a lowered pointed arch, preserves 15th and 18th century frescoes and Gothic windows with polychrome stained glass. On the left opens the chapel dedicated to the Virgin of the Lattani, with a frescoed dome, which houses a statue of the Madonna and Child in basalt stone, covered with polychrome painting, perhaps attributable to the 9th century. The convent has a façade with arched portico and inside a rectangular cloister with pointed arches supported by small columns, of various shapes, on two floors. There are 17th century frescoes painted by his father Tommaso di Nola. The refectory opens onto the cloister. The so-called "Protoconventino" building overlooks the internal courtyard with a two-storey loggia, open to the valley with windows, the lower one decorated with a rose window. In the courtyard there is also a stone fountain and on the side facing the mountain a fifteenth-century fountain decorated in 1961 by a representation on colored ceramic.
2021
Teano. Church of San Paride ad Fontem
The building of S. Paride is a church with a basilica structure with three naves, and termination with a semicircular apse. The facade, where it is possible to admire the building technique in tuff blocks arranged in regular rows, is characterized by the presence of two semi-columns in tuff on the sides of the portal, and a third in the right corner. The half-columns each rest on a pilaster, also in tuff. A fourth semi-column must have been present near the left corner, where there is still a Tuscan base still in tuff. These still retain the Corinthian capitals of reuse, also in local tuff. The entrance is rather simple, with a molded secmicircular frame supported by two shelves with inlaid motifs in plants. The marble frame still preserves the kyma lesbio decoration, followed by a curb with parallel lines and a second frame with denticles. The frame overlooks a lunette where traces of a fresco can no longer be read. The whole is surmounted by two mullioned windows. Internally, the naves are divided into six bays and separated by arches supported on each side by five quadrangular pillars. The light comes from the mullioned windows placed on the perimeter walls. A large opening, now flanked, also with a round arch, is visible along the left perimeter. The only piece of furniture is the so-called chair of S. Paride, made up of a reddish tuff block. The interior is rather simple, and still has a small crypt with burials in the crate.
2021
Borgonuovo. Teano
Borgonuovo di Teano, Campania. Sanctuary of Maria Santissima della Libera
2008
The Sanctuary of Montevergine (AV)
The sanctuary of Montevergine is a Marian monastic complex of Mercogliano, located in the hamlet of Montevergine: it is a national monument. The territorial abbey of Montevergine is one of the six Italian territorial abbeys. Inside the painting of the Madonna di Montevergine is venerated and it is estimated that every year it is visited by about one and a half million pilgrims.
2021
Teano. Church of Sant’Agostino
2022
Teano, the Cathedral of San Clemente.
The cathedral of San Clemente is the main place of worship in the city of Teano, in Campania, and the seat of the diocese of Teano-Calvi
2022
Teano, Campania. The church of San Pietro in Aquariis
It would be built on the ruins of ancient Roman baths. Currently it is no longer used for worship and could be more valued for civic uses as an attractant for the entire country.
2022
Roccamonfina. Sanctuary of the Madonna dei Lattani.
Roccamonfina. Sanctuary of the Madonna dei Lattani. It is located on the Monte dei Lattani, 850 m. above sea level, one of the many craters of the vast volcanic area of Roccamonfina.
2021
Teano, Monastery of Sant'Antonio da Padova
On the top of the homonymous hill stands the Franciscan monastic complex dedicated to St. Anthony of Padua, a true symbol of Sidycin and non-Sidycin Christian devotion. Much has been written about the monastic complex in recent decades and almost everything is known about it by now. The monastery was built in 1427 by the Franciscan friars Martino di Campagna and Nicola di Castellammare di Stabia on a land owned by the knight Ludovico Galluccio
2020
Teano. Church of San Paride ad Fontem
The building of S. Paride is a church with a basilica structure with three naves, and termination with a semicircular apse. The facade, where it is possible to admire the building technique in tuff blocks arranged in regular rows, is characterized by the presence of two semi-columns in tuff on the sides of the portal, and a third in the right corner. The half-columns each rest on a pilaster, also in tuff. A fourth semi-column must have been present near the left corner, where there is still a Tuscan base still in tuff. These still retain the Corinthian capitals of reuse, also in local tuff. The entrance is rather simple, with a molded secmicircular frame supported by two shelves with inlaid motifs in plants. The marble frame still preserves the kyma lesbio decoration, followed by a curb with parallel lines and a second frame with denticles. The frame overlooks a lunette where traces of a fresco can no longer be read. The whole is surmounted by two mullioned windows. Internally, the naves are divided into six bays and separated by arches supported on each side by five quadrangular pillars. The light comes from the mullioned windows placed on the perimeter walls. A large opening, now flanked, also with a round arch, is visible along the left perimeter. The only piece of furniture is the so-called chair of S. Paride, made up of a reddish tuff block. The interior is rather simple, and still has a small crypt with burials in the crate.