Teano. The Cathedral. Chapel of San paride
2020
The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.
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Vairano Patenora. Collegiate Church of St. Thomas
It is the only church built within the city walls ("intra moenia") and is the oldest of those that exist today in the town (13th century). It has a single nave with two side altars and a central one
2022
Teano. Church of San Francesco.
Teano. Church of San Francesco. Built in the fourteenth century, in Gothic style, by the Conventual Minors it was extensively remodeled in the Baroque age.
2021
Borgonuovo. Teano
Borgonuovo di Teano, Campania. Sanctuary of Maria Santissima della Libera
2021
Francolise, Santa Maria a Castello
2020
Teano. The Cathedral. The main facade
The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.
2021
Teano. Monastery of Santa Caterina
2020
Teano. The Cathedral. Apse
The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.
2020
Teano. The Cathedral. Left side chapel
The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.
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The Sanctuary of Montevergine (AV)
The sanctuary of Montevergine is a Marian monastic complex of Mercogliano, located in the hamlet of Montevergine: it is a national monument. The territorial abbey of Montevergine is one of the six Italian territorial abbeys. Inside the painting of the Madonna di Montevergine is venerated and it is estimated that every year it is visited by about one and a half million pilgrims.
2018
Roccamonfina, sanctuary of Maria SS dei Lattani
The sanctuary of Maria Santissima dei Lattani is a Marian sanctuary located in the territory of the municipality of Roccamonfina, in Campania, the place of death of the bishop Giacinto Tamburini. The sanctuary was founded in 1430 by San Bernardino da Siena and San Giacomo della Marca, who had arrived there following the news of the discovery of a statue of the Virgin in the same or the previous year. A first rural chapel was built, then a first church, enlarged shortly after in its present form between 1448 and 1507. In 1446 Pope Eugene IV entrusted the convent, which had risen in the meantime, to the Franciscans. In March 1970 the sanctuary was elevated by Pope Paul VI to the dignity of a minor basilica. The buildings of the sanctuary open onto a large internal courtyard, opening onto the panorama. It is overlooked by the church, the convent and a building built at the time of its foundation, called "Protoconventino" or "hermitage of San Bernardino", recently restored in its original form. The facade of the church, preceded by a large porch with a round arch, preserves the original wooden door of 1507. The interior, with a single nave, divided into spans by pillars that support the cross vault with a lowered pointed arch, preserves 15th and 18th century frescoes and Gothic windows with polychrome stained glass. On the left opens the chapel dedicated to the Virgin of the Lattani, with a frescoed dome, which houses a statue of the Madonna and Child in basalt stone, covered with polychrome painting, perhaps attributable to the 9th century. The convent has a façade with arched portico and inside a rectangular cloister with pointed arches supported by small columns, of various shapes, on two floors. There are 17th century frescoes painted by his father Tommaso di Nola. The refectory opens onto the cloister. The so-called "Protoconventino" building overlooks the internal courtyard with a two-storey loggia, open to the valley with windows, the lower one decorated with a rose window. In the courtyard there is also a stone fountain and on the side facing the mountain a fifteenth-century fountain decorated in 1961 by a representation on colored ceramic.