Teano, Monastery of Sant'Antonio da Padova
2021
On the top of the homonymous hill stands the Franciscan monastic complex dedicated to St. Anthony of Padua, a true symbol of Sidycin and non-Sidycin Christian devotion. Much has been written about the monastic complex in recent decades and almost everything is known about it by now. The monastery was built in 1427 by the Franciscan friars Martino di Campagna and Nicola di Castellammare di Stabia on a land owned by the knight Ludovico Galluccio
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2007
Vairano Patenora (CE), the Aragonese Castle
The Aragonese castle of Vairano was built on the remains of the Norman and Swabian ones between 1491 and 1503 by Innico II d'Avalos. It has four towers of which the largest, located to the south-east, is called "Torre mastra" and has an open atrium entrance. The interior is destroyed, but the subdivision of the floors, the kitchens, the prisons and the old cistern are still visible.
2022
Teano, Campania. The church of San Pietro in Aquariis
It would be built on the ruins of ancient Roman baths. Currently it is no longer used for worship and could be more valued for civic uses as an attractant for the entire country.
2021
Teano. Church of San Paride ad Fontem
The building of S. Paride is a church with a basilica structure with three naves, and termination with a semicircular apse. The facade, where it is possible to admire the building technique in tuff blocks arranged in regular rows, is characterized by the presence of two semi-columns in tuff on the sides of the portal, and a third in the right corner. The half-columns each rest on a pilaster, also in tuff. A fourth semi-column must have been present near the left corner, where there is still a Tuscan base still in tuff. These still retain the Corinthian capitals of reuse, also in local tuff. The entrance is rather simple, with a molded secmicircular frame supported by two shelves with inlaid motifs in plants. The marble frame still preserves the kyma lesbio decoration, followed by a curb with parallel lines and a second frame with denticles. The frame overlooks a lunette where traces of a fresco can no longer be read. The whole is surmounted by two mullioned windows. Internally, the naves are divided into six bays and separated by arches supported on each side by five quadrangular pillars. The light comes from the mullioned windows placed on the perimeter walls. A large opening, now flanked, also with a round arch, is visible along the left perimeter. The only piece of furniture is the so-called chair of S. Paride, made up of a reddish tuff block. The interior is rather simple, and still has a small crypt with burials in the crate.
2018
Matese Regional Park - Miralago
The Matese regional park is a protected natural area in Campania. Established with regional law n. 33 of 1993 came into operation only in 2002. The park covers an area of 33,326.53 hectares. The Matese park was established with the Campania regional law n. 33 of 1 September 1993 entitled "Establishment of parks and nature reserves in Campania". Due to the lack of approval of the implementing rules of regional law n. 33 of 1993, the park came into operation only in 2002. The reference standard is the resolution of the Campania Regional Council no. 1407 of 12 April 2002. Since 2006, the Matese Regional Park Authority has been based in San Potito Sannitico, in the province of Caserta. The park's first president was Giuseppe Scialla, a university professor and environmentalist. Following the revision of the Italian budget law 2018, the rule was approved that contemplates the future transformation of the Matese park into a national park, with probable involvement of the provinces of Isernia and Campobasso. The territory of the park mainly includes the Matese mountain massif. The highest mountains, of limestone nature, are Mount Mutria, Mount Gallinola and Mount Miletto. The park takes its name from the Matese lake. Another important lake is that of Letino. The park is crossed by two important rivers: the Titerno river and the Tammaro river. The vegetation of the Matese massif is made up, in the lower area, of holm oaks, hornbeams, strawberry trees and other elements typical of the Mediterranean scrub; as you go up, these species are first replaced by Turkey oak and chestnut and by majestic and imposing beech trees. Here and there you can find wild rowan, maple, dogwood, ash, ash and silver fir. Among the numerous herbaceous plants of the clearings and the undergrowth we note the gentian, the foxglove and above all the omnipresent Sambucus ebulus, the most characteristic plant that accompanies the beech forest in the most open and luminous open spaces. The fauna of the massif is also very rich due to the presence of the three lakes (del Matese, di Gallo, di Letino). In addition to the typical species of the broad-leaved forest (fox, marmot, badger, dormouse, great spotted woodpecker, tordella, jay, owl) there are also species of more open environments, such as hare and wild boar, or bare rocky crags such as the black redstart and the rare rock partridge. Among the exceptional presences we find the golden eagle that nests in the steep rocky walls of Valle dell'Inferno, but above all that of the wolf, regularly sighted in the municipalities of Letino and Gallo Matese. The presence of the lakes also favors the settlement of coots and ducks, herons and even storks. In the waters of these reservoirs we find carp, tench, perch, eel and pike, the three last species introduced by man.
2017
Pietrelcina (BN), church of Santa Maria degli Angeli
Santa Maria degli Angeli, parish church of Pietrelcina, preserves the polychrome wooden statue of the Neapolitan school of the end of the seventeenth century depicting the Madonna della Libera, patron saint of Pietrelcina, which Padre Pio affectionately calls "our Madonnella". In this church Fra Pio began his apostolate and, having obtained the diaconate, he administered the first baptism to a child who later became a Redemptorist priest. In this regard it is said that Padre Pio put so much salt, that the newborn, opening his little mouth, squinted his eyes - "smerzava l`uocchie" - words of Brother Pio, who frightened ran to the archpriest Don Salvatore Pannullo, saying: " I killed the child ”. On the eve of the solemnity of the Assumption, on 14 August 1910, four days after being ordained a priest, Padre Pio celebrated his first mass. A few days later he wrote to Father Benedetto of San Marco in Lamis: "For several days I was a little sick; perhaps the main cause of this was the too much emotion to which the spirit has been subject in these days… my heart is overflowing with joy and it feels stronger and stronger to encounter any affliction, when it comes to pleasing Jesus ”. In this church Padre Pio had interminable moments of prayer and intimacy with God, ecstasy at the foot of the altar, and the mystical phenomenon of the fusion of hearts: "The heart of Jesus and mine, allow me the expression, were no longer two hearts that beat, but only one. My heart was gone, like a drop of water that gets lost in the sea ”. And again: "I feel everything burn without fire ... a thousand flames consume me, I feel I am dying continuously and still alive". Padre Pio celebrated masses in this church that were "too long" and "incomprehensible mystery" so much so that the guardian father had asked the parish priest to recall him in his mind, because in this way he would immediately obey him out of holy obedience.
2021
Teano. Monastery of Santa Caterina
2023
Santa Maria Capua Vetere. The Campanian Amphitheater
The Campanian Amphitheater or Capuano Amphitheater is a Roman amphitheater located in the city of Santa Maria Capua Vetere - coinciding with the ancient Capua - second in size only to the Colosseum in Rome. It is located within the municipal area of Santa Maria Capua Vetere, facing Piazza I Ottobre. A substantial part of its stones were used by the Capuans in the Norman era to erect the Castle of the Stones of the city of Capua; some of his ornamental busts, used in the past as keystones for the theater arches, were placed on the facade of the Town Hall of Capua.
2021
Teano. Church of San Francesco.
Built in the fourteenth century, in Gothic style, by the Conventual Minors it was extensively remodeled in the Baroque age. The magnificent gilded wooden ceiling with one hundred finely carved coffers, with outlines decorated with wreaths of painted roses, for the splendor of the gilded mass wins the comparison with many other similar works. The panel in the center of the ceiling (St. Francis and the council), in which the popes Pius XII, John XXIII and Paul VI and the late bishop of Teano Mons. Sperandeo are depicted, is a modern work by Augusto De Rose. On the entrance door there is a large canvas of the Immaculate Conception by Girolamo Cenatiempo (first half of the 18th century).
2008
Sessa Aurunca (CE), the Cathedral
Construction was begun by probable workers of the Casauriense school (see portico of the abbey of S. Clemente a Casauria built between 1176 and 1180) in 1113, partly reusing materials from ancient Roman buildings, and consecrated in 1183; the current external appearance was achieved in the first half of the thirteenth century with the addition of the portico and the large window placed in the upper part of the facade. The interior, on the other hand, having eliminated the trussed ceiling already in the thirteenth century, remained Romanesque until the mid-eighteenth century when the bishop Francesco Caracciolo d'Altamura decided to modernize it according to the tastes and style of the time, namely the Baroque. In July 1929, Pope Pius XI elevated it to the dignity of a minor basilica.
2008
The Sanctuary of Montevergine (AV)
The sanctuary of Montevergine is a Marian monastic complex of Mercogliano, located in the hamlet of Montevergine: it is a national monument. The territorial abbey of Montevergine is one of the six Italian territorial abbeys. Inside the painting of the Madonna di Montevergine is venerated and it is estimated that every year it is visited by about one and a half million pilgrims.