Fiesole
2009
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2021
Pisa, the cathedral of Santa Maria Assunta
The cathedral of Santa Maria Assunta, in the center of the Piazza del Duomo, also known as Piazza dei Miracoli, is the medieval cathedral of Pisa as well as the primatial church. Masterpiece of the Romanesque, in particular of the Pisan Romanesque, it represents the tangible testimony of the prestige and wealth achieved by the maritime republic of Pisa at the moment of its apogee. It was begun in 1063 (1064 according to the Pisan calendar in force at the time) by the architect Buscheto, with the tenth part of the booty of the undertaking of Palermo in Sicily against the Muslims (1063) led by Giovanni Orlandi belonging to the Orlandi family [1] . Different stylistic elements come together: classical, Lombard-Emilian, Byzantine and in particular Islamic, proof of the international presence of Pisan merchants at that time. In that same year the reconstruction of the Basilica of San Marco in Venice was also begun, so it may well be that at the time there was a rivalry between the two maritime republics to create the most beautiful and sumptuous place of worship. The church was erected in an area outside the early medieval walls, to symbolize the power of Pisa which did not need protection. The chosen area was already used in the Lombard period as a necropolis and, already in the early 11th century, an unfinished church was erected which must have been dedicated to Santa Maria. The new large church of Buscheto, in fact, was initially called Santa Maria Maggiore until it was definitively dedicated to Santa Maria Assunta.
2021
Livorno. The Mascagni Terrace
The Mascagni Terrace is one of the most elegant and evocative places in Livorno and is located on the seafront on the edge of Viale Italia.
2008
Prato, the Cathedral
The church, with three naves, is built in white and green marble. It most likely dates back to the 6th century. It is one of the most important examples of religious architecture between the twelfth and fifteenth centuries in the region, with an elegant passage inside it between the large Romanesque-Lombard arches and the impetus of Gothic in the transept, most likely designed by the famous Giovanni Pisano , which inside will create a wooden crucifix and his last masterpiece, the Madonna della Cintola, in 1317. The relic of the sacred Cintola is kept there. The most important works are the external pulpit (built by Michelozzo and decorated by Donatello), the internal pulpit by Mino da Fiesole and Antonio Rossellino from 1472, the Madonna dell'Ulivo, the only work created together by the famous brothers Da Maiano, Giovanni, Benedetto and Giuliano. In the transept instead there are the frescoes by Filippo Lippi (in the Cappella Maggiore), one of the greatest expressions of the Italian Renaissance, the frescoes by Paolo Uccello (in the Cappella dell'Assunta), and by Agnolo Gaddi (in the Chapel of the sacred Cintola), all interior of a bronze gate made by some of the most important goldsmiths of the fifteenth century.
2021
Lucca, Tuscany. The church of San Giusto
The church of San Giusto is a church in Lucca located in the square of the same name. The current building, built on a previous one, dates back to the second half of the 12th century.
2021
Lucca, Tuscany. The basilica of San Frediano
The basilica of San Frediano is one of the oldest Catholic places of worship in Lucca, in Romanesque style, and is located in the homonymous square.
2023
Rocca di Montemurlo. Pieve di San Giovanni Decollato
The parish church of S. Giovanni Battista Decollato opens onto the square of the village. The parish church of Montemurlo has an ancient and controversial history, we find the first trace of it when Otto III, on the occasion of his coronation as emperor (995), descends to Italy for Rome and on his journey (998) confirms the possessions of Bishop Antonino of Pistoia among which our pieve is noted. It has a simple plan, with a single nave with presbytery and choir, modified in the second half of the last century. Originally the parish church had very small dimensions and it was only during the 16th century that we witness the first expansion works carried out by the humanist Bartolomeo Fonzio, parish priest in Montemurlo from 1494 to 1520, who had the rectory and the cloister built alongside the church, of which however, the round arches and columns with Corinthian capitals now walled up can still be traced. The parish church is 'protected' by an imposing bell tower which was originally a watchtower then transformed and refined, in the first half of the 16th century as part of the transformations carried out by the active parish priest, with the large mullioned windows that we see on each side, surmounted by brick arches. The large window is supported by octagonal columns and the shutters of the arches that conclude the tower are decorated with a notched frame that also surrounds the roof. Entering the church we cross a loggia, added during the 17th century, supported by brick columns with Ionic-inspired capitals. The interior of the church, with a goat-like roof, is enriched by four aedicule altars, one of which dates back to the 16th century, a model for the others built in the 18th century. On the altars and walls of the presbytery, valuable paintings by the painters Francesco Granacci, Giovanni Stradano, Matteo rosselli and Giacinto Fabroni.
2021
San Miniato. The Cathedral of S. M. Assunta
The Cathedral of Santa Maria Assunta and San Genesio is the main Catholic place of worship in San Miniato, the mother church of the diocese of the same name.
2021
Pisa, The baptistery of San Giovanni
the baptistery of San Giovanni is one of the monuments in the Piazza dei Miracoli, in Pisa; it rises in front of the western facade of the cathedral of Santa Maria Assunta, south of the monumental cemetery. It is the largest baptistery in Italy, and also in the world: its circumference measures 107.24 m, while the width of the masonry at the base is 263 cm (2 meters and 63 cm), for a height of 54 meters and 86 centimeters. The construction of the building began in the mid-twelfth century: "1153 mense Augusti fundata fuit haec ...", or "In the month of August 1153 it was founded ..." (1153 in the Pisan calendar corresponds to 1152). It replaces an earlier, smaller baptistery which was located north-east of the Cathedral, where the Camposanto is now located. It was built in Romanesque style by an architect who signed himself «Diotisalvi magister…» in a pillar inside the building. Later Nicola and Giovanni Pisano were also foremen of the yard, as well as Cellino di Nese. In the nineteenth century, at the same time as a renewal that affected the entire Piazza del Duomo and its monuments, the baptistery was subject to a radical restoration by the architect Alessandro Gherardesca, with interventions that led to the reconstruction of some portals and a large part of the decorative apparatus. Despite the denunciations of some intellectuals and prominent personalities of the Pisan culture of the time, such as Carlo Lasinio, the works, directed by the master builder Giovanni Storni, led to the removal of numerous sculptures by Nicola and Giovanni Pisano. The statues, placed at the top of the first order above and inside the vimpergas, were replaced with works that did not imitate the medieval taste, while the original sculptures were almost all lost except for those now exhibited at the Museo dell'Opera del Duomo. The intervention should have also extended inside, with the creation of frescoes in the central basin, but the project was not concretized and was essentially limited to the removal of non-medieval furnishings and the installation of new windows.
2021
Livorno
Livorno, Tuscany. The Livorno seafront. The Ligurian sea as seen from Terrazza Mascagni
The Livorno seafront is a promenade that winds for several kilometers along the coast of the Ligurian Sea, starting from the port area and ideally ending in the coastal stretch of the Romito.
2021
Vinci. Church of Santa Croce
Of thirteenth-century origin, restored several times, it no longer retains the original structure. The neo-Renaissance style works carried out in the years 1925-1935 gave it its current appearance.