Caporciano (AQ) S. Maria di Centurelli

The Piccolomini Castle of Celano overlooks the Fucino plain, once occupied by the third largest lake in Italy, majestically and imposingly.

Scanno (Scannë in Abruzzo) is an Italian town of 1 883 inhabitants located in the province of L'Aquila, in Abruzzo. The municipal territory, surrounded by the Marsicani Mountains, is partly included within the borders of the National Park of Abruzzo, Lazio and Molise and is in turn part of the Peligna mountain community. It is an important winter and summer resort and is part of the club The most beautiful villages in Italy. In the surroundings there are the homonymous lake, which however belongs for three quarters to the municipality of Villalago, the ski resorts of Passo Godi and Monte Rotondo, the plateaus of Monte Greco and Lake Pantaniello, as well as the natural reserve of the Sagittario Gorges. Scanno is also known as the City of Photographers; a place much appreciated by many Italian and foreign authors. Throughout the twentieth century, its unmistakable views and its people were the subjects of many famous shots taken by Hilde Lotz-Bauer, Henri Cartier-Bresson, Mario Giacomelli, Renzo Tortelli, Gianni Berengo Gardin, Ferdinando Scianna, Mario Cresci and many others . In 1964 it was a photograph taken in Scanno by Mario Giacomelli that became part of the prestigious collection of photographic works of the Museum of Modern Art in New York. This image is known as The Scanno Boy, or Scanno Boy.

The sanctuary of S. Gabriele dell'Addolorata is a sanctuary of the Catholic Church located at the foot of the Gran Sasso d'Italia, in the municipality of Isola del Gran Sasso d'Italia.

Church of Saints Peter and Paul (13th century), is located in the western part of the town, in Largo Don Filippo Brunetti, is characterized by a Romanesque-inspired façade (13th century), was restored following the damage of the Second World War. The interior of the church is the result of the reconstruction in 1954. The large mosaics on the facade and inside were created by Fausto Conti in the 1950s.

Parish Church of the Child Jesus or of Saints Nicholas and Clemente. The parish church, originally dedicated to SS. Nicola and Clemente, was dedicated in 2015 to the Child Jesus, with a Decree of the archbishop mons. Bruno Strong. It is located in Piazza Umberto I, in front of the town hall. The original building dates back to the 16th century. An epigraph on the bell tower attests that the church was built in 1589 in the eighteenth century two windows were added on the facade for more light. The portico, located on the right side, dates back to the 20th century. The facade is rectangular. A tympanum dominates the portal, while a rose window is decorated with some little heads of angels. The portico has six bays with a round arch. The bell tower has three levels marked on the outside by a stringcourse frame. The interior has three naves, one central and two lateral. In the side aisles there are minor altars, with representations of saints. In the right aisle appear, in order, a niche with St. Sebastian, a first modern altar with an effigy of the Divine Mercy (recently set up), which houses the baptismal font, the latter covered by a late Gothic wooden chest dating back to the nineteenth century. Subsequently there is an altar with Our Lady of Sorrows and the dead Christ, then an altar with St. Anthony of Padua and finally a last one with the representation of the Sacred Heart of Jesus. In the left aisle there is, in order, a first altar with the Madonna del Rosario, then an altar with a painting of the Madonna delle Grazie. Subsequently an altar with S. Cesidio, followed by that in honor of S. Giuseppe. Finally there is a niche with S. Gabriele dell'Addolorata. At the back of the church, on the entrance door, there is a mezzanine supported by four columns, which houses a pipe organ built in the 17th century. At the end to the left of the central nave there is a wooden pulpit, with representations of the life of Jesus. The main altar is located at the end of the central nave, located in the center of the presbytery and is illuminated by the light from the dome. Behind the altar is the urn of the Holy Child, with the tabernacle below.

The Gran Sasso (or Gran Sasso d'Italia) is the highest mountain massif of the continental Apennines, located in the central Apennines, entirely in Abruzzo, as part of the easternmost ridge of the Abruzzo Apennines, on the border between the provinces of L ' Aquila, Teramo and Pescara. It borders to the north with the territories of Fano Adriano, Pietracamela, Isola del Gran Sasso d'Italia, Castelli and Arsita, to the east with the Gorges of Popoli, to the south-west directly with the plain of Assergi, further downstream with L'Aquila , to the south it is limited by Campo Imperatore and downstream by the Piana di Navelli, while to the west-north-west it borders the chain of the Monti della Laga and Lake Campotosto, separated from them by the upper Vomano Valley and the state road 80 of the Gran Sasso d'Italia that crosses it. The Gran Sasso d'Italia is a protected environmental area with the establishment of the Gran Sasso and Monti della Laga National Park. It includes the Gran Sasso mountain community and the Campo Imperatore-Piana di Navelli mountain community.

The National Park of Abruzzo, Lazio and Molise is a national park including for the most part (about 3/4) in the province of L'Aquila in Abruzzo and for the remainder in that of Frosinone in Lazio and in that of Isernia in Molise. It was inaugurated on 9 September 1922 in Pescasseroli, the current headquarters and central management of the park, while the body of the same name had already been established on 25 November 1921 with a provisional directorate. Its establishment took place officially with the Royal decree-law of 11 January 1923.

Wedged between the alleys of the village, the Church of Santa Maria degli Angeli in Civitella del Tronto is, according to some historical sources, the oldest church in the town.

The construction of the Church of San Michele Arcangelo dates back to the 14th century. At the end of the 14th century the Counts of Celano donated it to the congregation of the Celestine monks