P.N.A.L.M. - Part IV
2018
The National Park of Abruzzo, Lazio and Molise is a national park including for the most part (about 3/4) in the province of L'Aquila in Abruzzo and for the remainder in that of Frosinone in Lazio and in that of Isernia in Molise. It was inaugurated on 9 September 1922 in Pescasseroli, the current headquarters and central management of the park, while the body of the same name had already been established on 25 November 1921 with a provisional directorate. Its establishment took place officially with the Royal decree-law of 11 January 1923.
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2009
Scanno (AQ)
Scanno (Scannë in Abruzzo) is an Italian town of 1 883 inhabitants located in the province of L'Aquila, in Abruzzo. The municipal territory, surrounded by the Marsicani Mountains, is partly included within the borders of the National Park of Abruzzo, Lazio and Molise and is in turn part of the Peligna mountain community. It is an important winter and summer resort and is part of the club The most beautiful villages in Italy. In the surroundings there are the homonymous lake, which however belongs for three quarters to the municipality of Villalago, the ski resorts of Passo Godi and Monte Rotondo, the plateaus of Monte Greco and Lake Pantaniello, as well as the natural reserve of the Sagittario Gorges. Scanno is also known as the City of Photographers; a place much appreciated by many Italian and foreign authors. Throughout the twentieth century, its unmistakable views and its people were the subjects of many famous shots taken by Hilde Lotz-Bauer, Henri Cartier-Bresson, Mario Giacomelli, Renzo Tortelli, Gianni Berengo Gardin, Ferdinando Scianna, Mario Cresci and many others . In 1964 it was a photograph taken in Scanno by Mario Giacomelli that became part of the prestigious collection of photographic works of the Museum of Modern Art in New York. This image is known as The Scanno Boy, or Scanno Boy.
2017
Mainarde
Mountain range which, compared to the Abruzzo National Park, extends from north to south and whose crests delimit the border between Lazio (west) and Molise (east). Due to its importance both from a naturalistic and faunistic point of view, the mountain range was inserted by presidential decree in the Abruzzo National Park in January 1990. It includes high altitude peaks that are around 2000 meters: Monte Meta (2241), Monte Metuccia, Coste dell'Altare, Monte Mare (2020), Monte Cavallo (2039), Monte Forcellone (2030). The Mainarde, like the rest of the Apennine mountains, are very ancient and of limestone origin. On them the erosion of winds and waters has left clear traces in gorges, gullies and beautiful potholes of the giants, the latter very clearly visible by anyone who looks out from the viewpoint of San Michele. Covered by dense arboreal vegetation (beech groves) up to an altitude of 1800-1900 meters, the Mainarde - beyond this altitude - offer a spectacular turf, ideal habitat for particular types of endangered fauna such as the Abruzzo chamois the Marsican brown bear, the Apennine wolf and the lynx.
2023
Sulmona. Complex of the Santissima Annunziata.
The Santissima Annunziata complex is the most famous and representative monument of the city of Sulmona, declared a national monument in 1902. The main entrance to the complex is on the Annunziata square although other interesting visual glimpses of the building, especially for architectural interest, are admirable from the adjacent streets, via Pantaleo and via Paolina. The church, founded in 1320 by the confraternity of the Compenitenti together with the annexed hospital, does not retain traces of the original construction, both due to the damage suffered in the earthquake of 1456 and due to the architectural transformation interventions which radically modified the original structure of the sixteenth century. Furthermore, another ruinous seismic event, that of 1706, led to a new, important reconstruction intervention which gave the church a Baroque appearance, with an imposing façade with two orders of columns, the work of Maestro Norberto Cicco from Pescocostanzo ( 1710). The interior is divided into three naves and is covered with stuccos. Among the paintings that embellish the church are the frescoes by Giambattista Gamba on the vaults and the canvases on the side altars, among which the Pentecost of 1598 by a Florentine master and the Communion of the Apostles by Alessandro Salini stands out for their quality. The apse instead presents two works by Giuseppe Simonelli, a pupil of Luca Giordano, the Nativity and the Presentation in the temple and an Annunciation by Lazzaro Baldi, a Tuscan artist who was a pupil of Pietro da Cortona. The choir, in wood, was made by the local artist Bartolomeo Balcone between 1577 and 1579, while the part underneath the organs, in a vaguely rococo style, in carved and gilded wood, is by Ferdinando Mosca. The organs, on the other hand, are the one on the left side by Tommaso Cefalo di Vasto (1749) and the one on the right side was built by the Fedeli di Camerino in 1753. At the end of the right aisle is the altar of the Virgin, in polychrome marble, a work partly executed by the Roman artist Giacomo Spagna (1620), with subsequent contributions by artists from Pescocostanzo. On the right side, shortly after the entrance, there is the tomb of Panfilo Serafini, a Sulmona patriot who died in 1864. The sacristy has carved furniture dating back to 1643 with a series of sacred furnishings from the Baroque era and Neapolitan-made silverware; there are numerous pieces from the church that are placed on display in the local Civic Museum. The bell tower (built between 1565 and 1590, imposing, just over 65 meters high, has a square plan with sides of 7.20 m; it is built on two floors with a pyramidal spire and 4 mullioned windows on each floor. It is the bell tower and tallest tower in Abruzzo.The church was reopened for worship in December 2012 after three years of closure due to the 2009 earthquake.
2022
Abruzzo, Italy. Spectacular landscapes
2018
Rocca Calascio (AQ)
Rocca Calascio is a fortress located in Abruzzo, in the province of L'Aquila, in the territory of the municipality of Calascio, at an altitude of 1450 meters above sea level, just above the town. It is included in the Gran Sasso and Monti della Laga National Park. It is known for the presence of the castle, one of the highest in Italy, and the ancient medieval village below, still inhabited by some inhabitants. The Rocca is considered one of the symbols of Abruzzo. The foundation of the fortress is probably due to the will of King Ruggero d'Altavilla after the Norman conquest of 1140 with a prevalent sighting function, even if the first historical document attesting its presence is dated 1239. It was part of Calascio, Castelvecchio Calvisio, Carapelle Calvisio and Santo Stefano di Sessanio of the famous Barony of Carapelle, whose historical events he followed until 1806, the year of the abolition of feudality. Over the centuries, the Pagliara, Plessis, Colonna, Celano, Caldora, Accrocciamuro, Todeschini Piccolomini, Del Pezzo, Cattaneo, Medici and Bourbon families followed one another in the domain. In particular, in 1463 it was granted by King Ferdinand to Antonio Todeschini of the Piccolomini family who modified the fortification by equipping it with a pebble wall and four cylindrical towers for military use, with a Ghibelline battlements. In 1703 it was devastated by a violent earthquake following which the highest area of the village was abandoned and a large part of the population moved to the nearby town of Calascio. In the twentieth century, even the last remaining families left the village and the fortress remained uninhabited. At the end of the century, however, also in the wake of the success deriving from the setting of some films (above all Lady Hawke of 1985 and The Name of the Rose of 1986), some houses were recovered and others were converted to accommodation facilities; Furthermore, the castle has undergone an important restoration and consolidation operation and is now one of the main tourist attractions in the area, thanks to the work of two spouses and their family who have opened a widespread hotel just below the castle.
2023
Lama dei Peligni. Church of S. Nicholas and Clemente
Parish Church of the Child Jesus or of Saints Nicholas and Clemente. The parish church, originally dedicated to SS. Nicola and Clemente, was dedicated in 2015 to the Child Jesus, with a Decree of the archbishop mons. Bruno Strong. It is located in Piazza Umberto I, in front of the town hall. The original building dates back to the 16th century. An epigraph on the bell tower attests that the church was built in 1589 in the eighteenth century two windows were added on the facade for more light. The portico, located on the right side, dates back to the 20th century. The facade is rectangular. A tympanum dominates the portal, while a rose window is decorated with some little heads of angels. The portico has six bays with a round arch. The bell tower has three levels marked on the outside by a stringcourse frame. The interior has three naves, one central and two lateral. In the side aisles there are minor altars, with representations of saints. In the right aisle appear, in order, a niche with St. Sebastian, a first modern altar with an effigy of the Divine Mercy (recently set up), which houses the baptismal font, the latter covered by a late Gothic wooden chest dating back to the nineteenth century. Subsequently there is an altar with Our Lady of Sorrows and the dead Christ, then an altar with St. Anthony of Padua and finally a last one with the representation of the Sacred Heart of Jesus. In the left aisle there is, in order, a first altar with the Madonna del Rosario, then an altar with a painting of the Madonna delle Grazie. Subsequently an altar with S. Cesidio, followed by that in honor of S. Giuseppe. Finally there is a niche with S. Gabriele dell'Addolorata. At the back of the church, on the entrance door, there is a mezzanine supported by four columns, which houses a pipe organ built in the 17th century. At the end to the left of the central nave there is a wooden pulpit, with representations of the life of Jesus. The main altar is located at the end of the central nave, located in the center of the presbytery and is illuminated by the light from the dome. Behind the altar is the urn of the Holy Child, with the tabernacle below.
2018
Coppito (AQ) - Church of San Pietro Apostolo
2018
L'Aquila - Basilica of S. M. di Collemaggio
The basilica of Santa Maria di Collemaggio is a religious building in L'Aquila, located just outside the city walls, on the hill of the same name. Founded in 1288 at the behest of Pietro da Morrone - crowned pope here with the name of Celestino V on 29 August 1294 - it is considered the highest expression of Abruzzo architecture, as well as the symbol of the city and was declared a national monument in 1902. Since 1327 houses the remains of the pontiff, currently preserved inside the mausoleum of Celestino V, built in 1517 by Girolamo da Vicenza, master of Andrea Palladio. It is the seat of an annual jubilee, the first in history, established with the Bull of Forgiveness of 29 September 1294 and known as Perdonanza Celestiniana; therefore, it is characterized by the presence of a Holy Door on the side facade. The church, which boasts the title of minor basilica together with the fellow citizens San Bernardino and San Giuseppe Artigiano, has been remodeled several times over the centuries mainly due to the damage caused by frequent earthquakes and presents a mixture of different architectural styles. Following the 2009 earthquake, it was subjected to consolidation and restoration works which ended in 2017.
2024
Albe, Massa d’Albe. The church of San Pietro in Albe
The church of San Pietro in Albe stands on the hill of San Pietro, one of the three hills surrounding Alba Fucens, the Roman city founded in 304 BC at the foot of Mount Velino.
2016
Villalago (AQ) - Hermitage of S. Domenico
The hermitage of San Domenico is a small church, located in the territory of the municipality of Villalago (AQ), in the Sagittario valley, on the shore of the homonymous Lake of San Domenico. It includes a cave dug into the limestone, in which according to tradition, around the year 1000 the Benedictine monk San Domenico lived. San Domenico came from Sora, and was housed in the Benedictine monastery of San Pietro de Lacu, which has now disappeared; later he also went to nearby Cocullo, where he healed a girl bitten by a snake. At the road he also tamed a wolf, who had kidnapped an infant from the cradle, while his parents were chopping wood in the woods. And the miracle will be reproduced on votive canvases on the porch of the hermitage. The actual hermitage was built around the fifteenth century, when the cult of St. Dominic spread. Before the construction of the dam and the consequent formation of the lake, in 1929, the hermitage had a different exterior, with a mullioned portico and a recessed facade with a large window, and was accessible from a medieval bridge in a serious state of conservation. With the dam, the new stone bridge was built in a fake medieval style and the facade of the hermitage was rebuilt.