Borgonuovo. Teano

Teano. Church of San Francesco. Built in the fourteenth century, in Gothic style, by the Conventual Minors it was extensively remodeled in the Baroque age.

It is the only church built within the city walls ("intra moenia") and is the oldest of those that exist today in the town (13th century). It has a single nave with two side altars and a central one

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.

The Monastery of S. Reparata, probably founded in the 9th century, was canonically suppressed after the Council of Trent, due to the supervening prohibition of holding female monasteries outside the town. The nuns were welcomed in the Monastery of S. Caterina. The Monastery of S. Reparata is located along the road to Roccamonfina, in the Pino district and its foundation is not prior to 804 as it is not mentioned in the privilege of Charlemagne, which lists all the Benedictine possessions in Teano. The most probable date is the second half of the century. IX. According to the Bishop Mons. Domenico Giordano, the transfer of S. Reparata to the Cathedral took place in the year 880. It is one of the most important monasteries in Teano because the remains of Santa Reparata, who is the patron saint of Nice, are kept inside the church. his diocese, of the cities of Atri and Casoli; co-patroness of Florence, of Teano, of the diocese of Teramo-Atri and patroness and protector of the municipality of Pesco Sannita.

The building of S. Paride is a church with a basilica structure with three naves, and termination with a semicircular apse. The facade, where it is possible to admire the building technique in tuff blocks arranged in regular rows, is characterized by the presence of two semi-columns in tuff on the sides of the portal, and a third in the right corner. The half-columns each rest on a pilaster, also in tuff. A fourth semi-column must have been present near the left corner, where there is still a Tuscan base still in tuff. These still retain the Corinthian capitals of reuse, also in local tuff. The entrance is rather simple, with a molded secmicircular frame supported by two shelves with inlaid motifs in plants. The marble frame still preserves the kyma lesbio decoration, followed by a curb with parallel lines and a second frame with denticles. The frame overlooks a lunette where traces of a fresco can no longer be read. The whole is surmounted by two mullioned windows. Internally, the naves are divided into six bays and separated by arches supported on each side by five quadrangular pillars. The light comes from the mullioned windows placed on the perimeter walls. A large opening, now flanked, also with a round arch, is visible along the left perimeter. The only piece of furniture is the so-called chair of S. Paride, made up of a reddish tuff block. The interior is rather simple, and still has a small crypt with burials in the crate.

The Sanctuary of Maria Santissima dei Lattani is a Marian sanctuary located in the territory of the municipality of Roccamonfina, in Campania.

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.

The sanctuary of Maria Santissima dei Lattani is a Marian sanctuary located in the territory of the municipality of Roccamonfina, in Campania, the place of death of the bishop Giacinto Tamburini. The sanctuary was founded in 1430 by San Bernardino da Siena and San Giacomo della Marca, who had arrived there following the news of the discovery of a statue of the Virgin in the same or the previous year. A first rural chapel was built, then a first church, enlarged shortly after in its present form between 1448 and 1507. In 1446 Pope Eugene IV entrusted the convent, which had risen in the meantime, to the Franciscans. In March 1970 the sanctuary was elevated by Pope Paul VI to the dignity of a minor basilica. The buildings of the sanctuary open onto a large internal courtyard, opening onto the panorama. It is overlooked by the church, the convent and a building built at the time of its foundation, called "Protoconventino" or "hermitage of San Bernardino", recently restored in its original form. The facade of the church, preceded by a large porch with a round arch, preserves the original wooden door of 1507. The interior, with a single nave, divided into spans by pillars that support the cross vault with a lowered pointed arch, preserves 15th and 18th century frescoes and Gothic windows with polychrome stained glass. On the left opens the chapel dedicated to the Virgin of the Lattani, with a frescoed dome, which houses a statue of the Madonna and Child in basalt stone, covered with polychrome painting, perhaps attributable to the 9th century. The convent has a façade with arched portico and inside a rectangular cloister with pointed arches supported by small columns, of various shapes, on two floors. There are 17th century frescoes painted by his father Tommaso di Nola. The refectory opens onto the cloister. The so-called "Protoconventino" building overlooks the internal courtyard with a two-storey loggia, open to the valley with windows, the lower one decorated with a rose window. In the courtyard there is also a stone fountain and on the side facing the mountain a fifteenth-century fountain decorated in 1961 by a representation on colored ceramic.