Teano. The Monastery of S. Reparata

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.

The military shrine of Mignano Montelungo is a military cemetery located in Campania, which contains the remains of 974 Italian soldiers, of which 784 who died during the Second World War in the battles of Montelungo and Cassino [1], while the rest come from the old cemetery of war of Mignano. Near Mignano Monte Lungo, between 8 and 16 December 1943, there was a battle between Italian regular units and the German army, in the liberation war of southern Italy. Built on the eastern slopes of Mount Lungo, it is about two kilometers from the municipality of Mignano Monte Lungo, in the province of Caserta, along the Via Casilina on the border with Lazio and Molise. From the entrance gate a staircase leads to the main building, at the center of which there is the main altar in dark marble, with a statue of a dying soldier, the work of the artist Pietro Canonica. On both sides the structure has a portico built in white marble. On the side of the altar there are two tombstones: one is dedicated to General Vincenzo Dapino, while on the other is the text of the congratulatory telegram from General Mark Clark to Dapino himself, for the victorious battle. The portico bears the inscription MORTUI UT PATRIA VIVAT and on the side of the access staircase, arranged in rows with shelves sloping towards the entrance, 784 soldiers who died fighting with the Italian Liberation Corps and with the Folgore Combat Groups, Legnano are buried , Mantua, Friuli and Cremona. Each tomb is marked with a white marble cross with the name carved on the tombstone. On the last shelf is the tomb of General Umberto Utili. Also on the side of the staircase there are two stone bases on which two flagpoles with the flags of the Combat Groups are placed. On the hill, on the vertical of the staircase, there is a bronze statue of the Immaculate Madonna. In the square of the Shrine, with a ray of orientation, the various locations where the various fights took place are indicated. In front of the Memorial, on the other side of Via Casilina, a small museum has been set up where it is possible to view various documents, photographs, relics and weapons of the time, outside it there are tanks and Italian artillery pieces and British employed in the battle.

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.

The building of S. Paride is a church with a basilica structure with three naves, and termination with a semicircular apse. The facade, where it is possible to admire the building technique in tuff blocks arranged in regular rows, is characterized by the presence of two semi-columns in tuff on the sides of the portal, and a third in the right corner. The half-columns each rest on a pilaster, also in tuff. A fourth semi-column must have been present near the left corner, where there is still a Tuscan base still in tuff. These still retain the Corinthian capitals of reuse, also in local tuff. The entrance is rather simple, with a molded secmicircular frame supported by two shelves with inlaid motifs in plants. The marble frame still preserves the kyma lesbio decoration, followed by a curb with parallel lines and a second frame with denticles. The frame overlooks a lunette where traces of a fresco can no longer be read. The whole is surmounted by two mullioned windows. Internally, the naves are divided into six bays and separated by arches supported on each side by five quadrangular pillars. The light comes from the mullioned windows placed on the perimeter walls. A large opening, now flanked, also with a round arch, is visible along the left perimeter. The only piece of furniture is the so-called chair of S. Paride, made up of a reddish tuff block. The interior is rather simple, and still has a small crypt with burials in the crate.

Pizza chiena (full pizza) is a monumental rustic dish from the Campania Easter tradition, particularly popular in the Caserta area and surrounding areas. Unlike casatiello, it's not a seasoned bread, but a savory pie made of two layers of dough enclosing a rich filling of eggs, cured meats, and cheeses.

It is one of the most important convents in Teano, also because inside the building there are the remains of the Saint who is the Coopatrona of Teano, as well as the patron saint of Florence.

Mignano Montelungo, Italy, panorama. It is located in the high part of Caserta, wedged together with S. Pietro Infine between Lazio and Molise, in an area of great natural and historical interest

Roccamonfina. Sanctuary of the Madonna dei Lattani. It is located on the Monte dei Lattani, 850 m. above sea level, one of the many craters of the vast volcanic area of Roccamonfina.