Teano. Church of Sant'Antonio Abate

The Monastery of S. Reparata, probably founded in the 9th century, was canonically suppressed after the Council of Trent, due to the prohibition against holding female monasteries outside the town. The nuns were welcomed in the Monastery of S. Caterina. The Monastery of S. Reparata is located along the road to Roccamonfina, in the Pino district and its foundation is not prior to 804 as it is not mentioned in the privilege of Charlemagne, which lists all the Benedictine possessions in Teano. The most probable date is the second half of the century. IX. According to the Bishop Mons. Domenico Giordano, the transfer of S. Reparata to the Cathedral took place in the year 880. It is one of the most important monasteries in Teano because the remains of Santa Reparata, who is the patron saint of Nice, are kept inside the church. his diocese, of the cities of Atri and Casoli; she co-patroness of Florence, of Teano, of the diocese of Teramo-Atri and patroness and protector of the municipality of Pesco Sannita.

The military shrine of Mignano Montelungo is a military cemetery located in Campania, which contains the remains of 974 Italian soldiers, of which 784 who died during the Second World War in the battles of Montelungo and Cassino [1], while the rest come from the old cemetery of war of Mignano. Near Mignano Monte Lungo, between 8 and 16 December 1943, there was a battle between Italian regular units and the German army, in the liberation war of southern Italy. Built on the eastern slopes of Mount Lungo, it is about two kilometers from the municipality of Mignano Monte Lungo, in the province of Caserta, along the Via Casilina on the border with Lazio and Molise. From the entrance gate a staircase leads to the main building, at the center of which there is the main altar in dark marble, with a statue of a dying soldier, the work of the artist Pietro Canonica. On both sides the structure has a portico built in white marble. On the side of the altar there are two tombstones: one is dedicated to General Vincenzo Dapino, while on the other is the text of the congratulatory telegram from General Mark Clark to Dapino himself, for the victorious battle. The portico bears the inscription MORTUI UT PATRIA VIVAT and on the side of the access staircase, arranged in rows with shelves sloping towards the entrance, 784 soldiers who died fighting with the Italian Liberation Corps and with the Folgore Combat Groups, Legnano are buried , Mantua, Friuli and Cremona. Each tomb is marked with a white marble cross with the name carved on the tombstone. On the last shelf is the tomb of General Umberto Utili. Also on the side of the staircase there are two stone bases on which two flagpoles with the flags of the Combat Groups are placed. On the hill, on the vertical of the staircase, there is a bronze statue of the Immaculate Madonna. In the square of the Shrine, with a ray of orientation, the various locations where the various fights took place are indicated. In front of the Memorial, on the other side of Via Casilina, a small museum has been set up where it is possible to view various documents, photographs, relics and weapons of the time, outside it there are tanks and Italian artillery pieces and British employed in the battle.

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.

It would be built on the ruins of ancient Roman baths. Currently it is no longer used for worship and could be more valued for civic uses as an attractant for the entire country.

The Avalos castle of Vairano Patenora is a square-shaped building with stone perimeter walls and four cylindrical corner towers. it was built by Ripandulf VI in the 11th century.

Ancient Campania (often also identified as Campania Felix or even Ager Campanus) originally indicated the territory of the city of Capua Antica in the Roman period, and later also the plains of the various neighboring municipalities. It was a very vast territory when compared with the other Italic cities of the Roman and pre-Roman periods. It stretched from the slopes of Mount Massico (in the north) to the south of the Phlegrean Fields and the Vesuvian area. Initially it also included the ager Falernus, then it was greatly scaled down from Rome due to the alliance of the city of Capua with Annibale. Thanks to the fertility of the soil also due to the presence of the Volturno river, it deserved the name of Campania Felix.

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.

The Royal Palace of Caserta is a royal residence, historically belonging to the Bourbons of the Two Sicilies, located in Caserta. Commissioned by Charles of Bourbon, the laying of the first stone, which started the construction work, took place on January 20, 1752, based on a project by Luigi Vanvitelli: this was followed by his son Carlo and other architects. The palace was completed in 1845.