Casertavecchia, church of the Annunciation

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.

Built in the fourteenth century, in Gothic style, by the Conventual Minors it was extensively remodeled in the Baroque age. The magnificent gilded wooden ceiling with one hundred finely carved coffers, with outlines decorated with wreaths of painted roses, for the splendor of the gilded mass wins the comparison with many other similar works. The panel in the center of the ceiling (St. Francis and the council), in which the popes Pius XII, John XXIII and Paul VI and the late bishop of Teano Mons. Sperandeo are depicted, is a modern work by Augusto De Rose. On the entrance door there is a large canvas of the Immaculate Conception by Girolamo Cenatiempo (first half of the 18th century).

Borgonuovo di Teano, Campania. Sanctuary of Maria Santissima della Libera

The Aragonese castle of Vairano was built on the remains of the Norman and Swabian ones between 1491 and 1503 by Innico II d'Avalos. It has four towers of which the largest, located to the south-east, is called "Torre mastra" and has an open atrium entrance. The interior is destroyed, but the subdivision of the floors, the kitchens, the prisons and the old cistern are still visible.

The sanctuary of Montevergine is a Marian monastic complex of Mercogliano, located in the hamlet of Montevergine: it is a national monument. The territorial abbey of Montevergine is one of the six Italian territorial abbeys. Inside the painting of the Madonna di Montevergine is venerated and it is estimated that every year it is visited by about one and a half million pilgrims.

The natural cypress forest extends above the town of Fontegreca, in the Zappini wood up to the valley of the Sava river. It is a destination for tourists, for its very healthy air.

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.