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2023
Lama dei Peligni. Church of S. Nicholas and Clemente
Parish Church of the Child Jesus or of Saints Nicholas and Clemente. The parish church, originally dedicated to SS. Nicola and Clemente, was dedicated in 2015 to the Child Jesus, with a Decree of the archbishop mons. Bruno Strong. It is located in Piazza Umberto I, in front of the town hall. The original building dates back to the 16th century. An epigraph on the bell tower attests that the church was built in 1589 in the eighteenth century two windows were added on the facade for more light. The portico, located on the right side, dates back to the 20th century. The facade is rectangular. A tympanum dominates the portal, while a rose window is decorated with some little heads of angels. The portico has six bays with a round arch. The bell tower has three levels marked on the outside by a stringcourse frame. The interior has three naves, one central and two lateral. In the side aisles there are minor altars, with representations of saints. In the right aisle appear, in order, a niche with St. Sebastian, a first modern altar with an effigy of the Divine Mercy (recently set up), which houses the baptismal font, the latter covered by a late Gothic wooden chest dating back to the nineteenth century. Subsequently there is an altar with Our Lady of Sorrows and the dead Christ, then an altar with St. Anthony of Padua and finally a last one with the representation of the Sacred Heart of Jesus. In the left aisle there is, in order, a first altar with the Madonna del Rosario, then an altar with a painting of the Madonna delle Grazie. Subsequently an altar with S. Cesidio, followed by that in honor of S. Giuseppe. Finally there is a niche with S. Gabriele dell'Addolorata. At the back of the church, on the entrance door, there is a mezzanine supported by four columns, which houses a pipe organ built in the 17th century. At the end to the left of the central nave there is a wooden pulpit, with representations of the life of Jesus. The main altar is located at the end of the central nave, located in the center of the presbytery and is illuminated by the light from the dome. Behind the altar is the urn of the Holy Child, with the tabernacle below.
2023
Sulmona. Complex of the Santissima Annunziata.
The Santissima Annunziata complex is the most famous and representative monument of the city of Sulmona, declared a national monument in 1902. The main entrance to the complex is on the Annunziata square although other interesting visual glimpses of the building, especially for architectural interest, are admirable from the adjacent streets, via Pantaleo and via Paolina. The church, founded in 1320 by the confraternity of the Compenitenti together with the annexed hospital, does not retain traces of the original construction, both due to the damage suffered in the earthquake of 1456 and due to the architectural transformation interventions which radically modified the original structure of the sixteenth century. Furthermore, another ruinous seismic event, that of 1706, led to a new, important reconstruction intervention which gave the church a Baroque appearance, with an imposing façade with two orders of columns, the work of Maestro Norberto Cicco from Pescocostanzo ( 1710). The interior is divided into three naves and is covered with stuccos. Among the paintings that embellish the church are the frescoes by Giambattista Gamba on the vaults and the canvases on the side altars, among which the Pentecost of 1598 by a Florentine master and the Communion of the Apostles by Alessandro Salini stands out for their quality. The apse instead presents two works by Giuseppe Simonelli, a pupil of Luca Giordano, the Nativity and the Presentation in the temple and an Annunciation by Lazzaro Baldi, a Tuscan artist who was a pupil of Pietro da Cortona. The choir, in wood, was made by the local artist Bartolomeo Balcone between 1577 and 1579, while the part underneath the organs, in a vaguely rococo style, in carved and gilded wood, is by Ferdinando Mosca. The organs, on the other hand, are the one on the left side by Tommaso Cefalo di Vasto (1749) and the one on the right side was built by the Fedeli di Camerino in 1753. At the end of the right aisle is the altar of the Virgin, in polychrome marble, a work partly executed by the Roman artist Giacomo Spagna (1620), with subsequent contributions by artists from Pescocostanzo. On the right side, shortly after the entrance, there is the tomb of Panfilo Serafini, a Sulmona patriot who died in 1864. The sacristy has carved furniture dating back to 1643 with a series of sacred furnishings from the Baroque era and Neapolitan-made silverware; there are numerous pieces from the church that are placed on display in the local Civic Museum. The bell tower (built between 1565 and 1590, imposing, just over 65 meters high, has a square plan with sides of 7.20 m; it is built on two floors with a pyramidal spire and 4 mullioned windows on each floor. It is the bell tower and tallest tower in Abruzzo.The church was reopened for worship in December 2012 after three years of closure due to the 2009 earthquake.
2023
Palena, Church of San Falco and Sant'Antonino
Parish church of the town, it was built in the 12th century, after the earthquake of 1706, it was built again, however maintaining the 14th century bell tower
2024
Celano. Church of San Michele Arcangelo
The construction of the Church of San Michele Arcangelo dates back to the 14th century. At the end of the 14th century the Counts of Celano donated it to the congregation of the Celestine monks
2024
Albe, Massa d’Albe. The church of San Pietro in Albe
The church of San Pietro in Albe stands on the hill of San Pietro, one of the three hills surrounding Alba Fucens, the Roman city founded in 304 BC at the foot of Mount Velino.
2022
Abruzzo, Italy. Spectacular sunrise.
2018
L'Aquila - Basilica of S. M. di Collemaggio
The basilica of Santa Maria di Collemaggio is a religious building in L'Aquila, located just outside the city walls, on the hill of the same name. Founded in 1288 at the behest of Pietro da Morrone - crowned pope here with the name of Celestino V on 29 August 1294 - it is considered the highest expression of Abruzzo architecture, as well as the symbol of the city and was declared a national monument in 1902. Since 1327 houses the remains of the pontiff, currently preserved inside the mausoleum of Celestino V, built in 1517 by Girolamo da Vicenza, master of Andrea Palladio. It is the seat of an annual jubilee, the first in history, established with the Bull of Forgiveness of 29 September 1294 and known as Perdonanza Celestiniana; therefore, it is characterized by the presence of a Holy Door on the side facade. The church, which boasts the title of minor basilica together with the fellow citizens San Bernardino and San Giuseppe Artigiano, has been remodeled several times over the centuries mainly due to the damage caused by frequent earthquakes and presents a mixture of different architectural styles. Following the 2009 earthquake, it was subjected to consolidation and restoration works which ended in 2017.
2025
Crecchio. The Ducal Castle De Riseis-D'Aragona
The castle is composed of four corner towers that enclose as many buildings. It is surrounded by a perimeter of walls that also enclose a garden.
2024
Celano. Church of St. John the Baptist
Begun in the 13th century, it was completed in the 15th century. The rose window has the head of the Baptist in the center. The three internal naves are divided by octagonal pillars
2020
L'Aquila. Basilica of San Bernardino - 2019
The church of San Bernardino is located at the end of the homonymous and scenic staircase, in the historic center of L'Aquila, about 600 m from the Spanish Fort. The construction of a church that worthily guarded the remains of San Bernardino da Siena (1380-1444) - the persuasive preacher of the Order of the Friars Minor who died in L'Aquila and proclaimed a saint in 1450 - was strongly desired by the influential friar Giovanni da Capistrano. At first the conventual friars opposed the construction of the church, however the works were started and completed between 1454 and 1472. The earthquake of 1703 seriously damaged the church, which was renovated according to the stylistic and architectural methods of the time. In 1946, at the behest of Pope Pius XII, the church received the honorary title of minor basilica.
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