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2021
San Miniato. The Cathedral of S. M. Assunta
The Cathedral of Santa Maria Assunta and San Genesio is the main Catholic place of worship in San Miniato, the mother church of the diocese of the same name.
2021
Calci. The Charterhouse of Val Graziosa
The Certosa della Val Graziosa di Calci, commonly known as the Certosa di Pisa or also the Certosa di Calci, is located in the province of Pisa, in the municipality of Calci, in a flat area on the slopes of the Pisan mountains called "Val Graziosa".
2008
Prato, the Cathedral
The church, with three naves, is built in white and green marble. It most likely dates back to the 6th century. It is one of the most important examples of religious architecture between the twelfth and fifteenth centuries in the region, with an elegant passage inside it between the large Romanesque-Lombard arches and the impetus of Gothic in the transept, most likely designed by the famous Giovanni Pisano , which inside will create a wooden crucifix and his last masterpiece, the Madonna della Cintola, in 1317. The relic of the sacred Cintola is kept there. The most important works are the external pulpit (built by Michelozzo and decorated by Donatello), the internal pulpit by Mino da Fiesole and Antonio Rossellino from 1472, the Madonna dell'Ulivo, the only work created together by the famous brothers Da Maiano, Giovanni, Benedetto and Giuliano. In the transept instead there are the frescoes by Filippo Lippi (in the Cappella Maggiore), one of the greatest expressions of the Italian Renaissance, the frescoes by Paolo Uccello (in the Cappella dell'Assunta), and by Agnolo Gaddi (in the Chapel of the sacred Cintola), all interior of a bronze gate made by some of the most important goldsmiths of the fifteenth century.
2021
San Miniato, Tuscany. Rocca di Federico
2021
Pisa, the Leaning Tower
The tower of Pisa (popularly known as the leaning tower and, in Pisa, the Campanile or the Tower) is the bell tower of the cathedral of Santa Maria Assunta, in the famous Piazza del Duomo of which it is the most famous monument due to the characteristic slope, symbol of Pisa and among the iconic symbols of Italy. It is a separate bell tower 57 meters high (58.36 meters considering the foundation plan) built over two centuries, between the twelfth and fourteenth centuries. With a mass of 14 453 tons, the curved line predominates, with turns of blind arches and six floors of loggias. The slope is due to a subsidence of the underlying land which occurred in the early stages of construction. The inclination of the building measures 3.97 ° with respect to the vertical axis. The tower is managed by the Opera della Primaziale Pisana, a body that manages all the monuments in the Piazza del Duomo in Pisa. It was proposed as one of the seven wonders of the modern world. Work began on 9 August 1173. The foundations were left to rest for a whole year. Some studies attribute the authorship of the project to the Pisan architect Diotisalvi, who was building the baptistery at the same time. The similarities between the two buildings are in fact many, starting with the type of foundations. Others suggest instead Gherardi, while according to Vasari the works were started by Bonanno Pisano. Vasari's thesis was considered valid above all after the discovery in the vicinity of the bell tower of a tombstone with the name of Bonanno, walled up in the atrium of the building; moreover, in the nineteenth century an epigraphic fragment of pink material was always found in the surroundings, probably a cast on which a metal plate was cast, which is placed on the jamb of the building's entrance door. On this fragment we read, upside down: "Pisan citizen named Bonanno". This cast in all probability related to the royal door of the Cathedral, destroyed during the fire of 1595. The first phase of the works was interrupted in the middle of the third floor, due to the subsidence of the land on which the base of the bell tower stands. The softness of the ground, made up of normally consolidated soft clay, is the cause of the slope of the tower and, although to a lesser extent, of all the buildings in the square. The works resumed in 1275 under the guidance of Giovanni di Simone and Giovanni Pisano, adding another three floors to the previous building. In an attempt to straighten the tower, the three additional floors tend to curve away from the slope. The bell tower was completed in the middle of the following century, adding the belfry.
2021
Wonderful summer views of the Tuscan hills
2021
Vinci. Church of Santa Croce
Of thirteenth-century origin, restored several times, it no longer retains the original structure. The neo-Renaissance style works carried out in the years 1925-1935 gave it its current appearance.
2021
San Miniato. Views on a summer day with clouds
San Miniato is an Italian municipality in Tuscany. The historic center of the city is located in a strategic position on a hill halfway between Florence and Pisa.
2021
Livorno. The Mascagni Terrace
The Mascagni Terrace is one of the most elegant and evocative places in Livorno and is located on the seafront on the edge of Viale Italia.
2021
Pisa, The baptistery of San Giovanni
the baptistery of San Giovanni is one of the monuments in the Piazza dei Miracoli, in Pisa; it rises in front of the western facade of the cathedral of Santa Maria Assunta, south of the monumental cemetery. It is the largest baptistery in Italy, and also in the world: its circumference measures 107.24 m, while the width of the masonry at the base is 263 cm (2 meters and 63 cm), for a height of 54 meters and 86 centimeters. The construction of the building began in the mid-twelfth century: "1153 mense Augusti fundata fuit haec ...", or "In the month of August 1153 it was founded ..." (1153 in the Pisan calendar corresponds to 1152). It replaces an earlier, smaller baptistery which was located north-east of the Cathedral, where the Camposanto is now located. It was built in Romanesque style by an architect who signed himself «Diotisalvi magister…» in a pillar inside the building. Later Nicola and Giovanni Pisano were also foremen of the yard, as well as Cellino di Nese. In the nineteenth century, at the same time as a renewal that affected the entire Piazza del Duomo and its monuments, the baptistery was subject to a radical restoration by the architect Alessandro Gherardesca, with interventions that led to the reconstruction of some portals and a large part of the decorative apparatus. Despite the denunciations of some intellectuals and prominent personalities of the Pisan culture of the time, such as Carlo Lasinio, the works, directed by the master builder Giovanni Storni, led to the removal of numerous sculptures by Nicola and Giovanni Pisano. The statues, placed at the top of the first order above and inside the vimpergas, were replaced with works that did not imitate the medieval taste, while the original sculptures were almost all lost except for those now exhibited at the Museo dell'Opera del Duomo. The intervention should have also extended inside, with the creation of frescoes in the central basin, but the project was not concretized and was essentially limited to the removal of non-medieval furnishings and the installation of new windows.
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