Fucecchio, Tuscany. Corsini Park. The fortified towers.

San Miniato is an Italian municipality in Tuscany. The historic center of the city is located in a strategic position on a hill halfway between Florence and Pisa.

The Cathedral of Santa Maria Assunta and San Genesio is the main Catholic place of worship in San Miniato, the mother church of the diocese of the same name.

Fucecchio (pronounced / fuˈʧekkjo /; fučékki̯o, Ficeclum in Latin) is an Italian town of 23,343 inhabitants in the metropolitan city of Florence in Tuscany, in the lower Valdarno. The Municipality is located on the right bank of the Arno river, on the border between the metropolitan city of Florence and the provinces of Pisa, Lucca and Pistoia and near the wet area of ​​the Fucecchio Marsh. Its territory covers an area of ​​65 km², on average around 25 m s.l.m .; the town extends partly lying on a hill, which since ancient times has taken the name of "Poggio Salamartano", and for the most part in the flat area on its slopes. About 45 kilometers from Florence and 38 from Pisa, included in the Leather District, borders to the north with the municipalities of Chiesina Uzzanese and Ponte Buggianese, to the east with the municipalities of Larciano and Cerreto Guidi, to the south with the municipality of San Miniato and to the west with the municipalities of Santa Croce sull'Arno, Castelfranco di Sotto and Altopascio. The toponym is attested for the first time in 1027 [5] as "Ficiclo", "Ficecli" and "Ficecchio" and derives from the Latin ficetulum with the meaning of "wood of fig, place of figs ".

The Mascagni Terrace is one of the most elegant and evocative places in Livorno and is located on the seafront on the edge of Viale Italia.

Prato is an Italian town of 194,390 inhabitants, the capital of the province of the same name in Tuscany. It is the second largest city in Tuscany and the third in central Italy by number of inhabitants after Rome and Florence. Until 1992, the year of the constitution of the province of the same name, it was the most populated non-provincial town in Italy, then in the province of Florence. The Prato plain was inhabited since the Etruscan era, but the birth of the city itself dates back, generally, to the 10th century, when we have news of two contiguous but distinct inhabited centers, Borgo al Cornio and Castrum Prati, which merged during the following century. In the Prato economy, textile production has always played a leading role since the Middle Ages, as evidenced by the documents of the merchant Francesco Datini, but it is in the nineteenth century that Prato saw an impetuous industrial development, which still make it one of the most important districts at the European level. The city boasts historical and artistic attractions of great importance, with a cultural itinerary that begins with the Etruscans and then expanded in the Middle Ages and reached its peak with the Renaissance, when artists of the caliber of Donatello, Filippo Lippi and Botticelli.

The parish church of S. Giovanni Battista Decollato opens onto the square of the village. The parish church of Montemurlo has an ancient and controversial history, we find the first trace of it when Otto III, on the occasion of his coronation as emperor (995), descends to Italy for Rome and on his journey (998) confirms the possessions of Bishop Antonino of Pistoia among which our pieve is noted. It has a simple plan, with a single nave with presbytery and choir, modified in the second half of the last century. Originally the parish church had very small dimensions and it was only during the 16th century that we witness the first expansion works carried out by the humanist Bartolomeo Fonzio, parish priest in Montemurlo from 1494 to 1520, who had the rectory and the cloister built alongside the church, of which however, the round arches and columns with Corinthian capitals now walled up can still be traced. The parish church is 'protected' by an imposing bell tower which was originally a watchtower then transformed and refined, in the first half of the 16th century as part of the transformations carried out by the active parish priest, with the large mullioned windows that we see on each side, surmounted by brick arches. The large window is supported by octagonal columns and the shutters of the arches that conclude the tower are decorated with a notched frame that also surrounds the roof. Entering the church we cross a loggia, added during the 17th century, supported by brick columns with Ionic-inspired capitals. The interior of the church, with a goat-like roof, is enriched by four aedicule altars, one of which dates back to the 16th century, a model for the others built in the 18th century. On the altars and walls of the presbytery, valuable paintings by the painters Francesco Granacci, Giovanni Stradano, Matteo rosselli and Giacinto Fabroni.

Livorno, Tuscany. The Livorno seafront. The Ligurian sea as seen from Terrazza Mascagni The Livorno seafront is a promenade that winds for several kilometers along the coast of the Ligurian Sea, starting from the port area and ideally ending in the coastal stretch of the Romito.

The abbey of San Salvatore is located in the upper part of Fucecchio, in the province of Florence, diocese of San Miniato.