Barrea and its lake. Glimpses of autumn

2023

Barrea (Varréa in Barreano dialect) is an Italian municipality of 705 inhabitants in the province of L'Aquila in Abruzzo. Located in Alto Sangro, it is a tourist resort thanks to the presence of the lake of the same name and the national park of Abruzzo, Lazio and Molise. Barrea is located in a mountain area belonging to the Alto Sangro basin and Lake Barrea. The inhabited center, located at an altitude of 1,060 m above sea level, occupies a protrusion at the eastern end of the lake enclosed by the steep sides of the Meta mountains to the south and Mount Greco to the north. The lake was created in 1951 by damming the Sangro river and is used for the production of electricity. The Barrea Lake Wetland, managed by the Abruzzo Lazio and Molise National Park Authority, has been on the list of areas covered by the Ramsar Convention since 1976.

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Palena. The waterfalls of the Aventine river

The Aventine is a 45 km long river in Abruzzo, born from the sources of Capo di Fiume, located within the municipality of Palena, located at 863 m above sea level, downstream of the Cotaio stream.

Celano. Church of St. John the Baptist

Begun in the 13th century, it was completed in the 15th century. The rose window has the head of the Baptist in the center. The three internal naves are divided by octagonal pillars

L'Aquila - Basilica of San Bernardino

The basilica of San Bernardino is a religious building in L'Aquila, located in the quarter of Santa Maria. It was built, with the adjacent convent, between 1454 and 1472 in honor of San Bernardino da Siena, whose remains are kept inside the mausoleum of the Saint built by Silvestro dell'Aquila. The façade, erected in the following century by Cola dell'Amatrice with Michelangelo's influences, is considered the highest expression of Renaissance architecture in Abruzzo. The interior, in Baroque style, is due to the reconstruction of the building following the earthquake of 1703 by several designers - including certainly Filippo Barigioni, Sebastiano Cipriani and Giovan Battista Contini - and preserves important works of art by Andrea della Robbia, Francesco Bedeschini, Pompeo Cesura, Rinaldo Fiammingo and Donato Teodoro, in addition to the aforementioned Silvestro dell'Aquila, also author of the mausoleum of Maria Pereyra Camponeschi. The carved wooden ceiling decorated with pure gold is the work of Ferdinando Mosca. It was included in the list of national monumental buildings in 1902 and elevated to the rank of minor basilica by Pope Pius XII in 1946. Due to the earthquake of 2009 which severely damaged the apse and the bell tower, the basilica was subjected to repair and consolidation works and was reopened in 2015.

The Lake of Scanno (AQ)

Lake Scanno, belonging for three quarters to the municipality of Villalago and for a quarter to that of Scanno, is located in Abruzzo, in the lower province of L'Aquila, between the Marsicani Mountains, in the upper valley of the Sagittario river, which originated for a ancient landslide that broke off from Mount Genzana above, between 12,820 and 3,000 years ago, which blocked the river Tasso.

L'Aquila - Basilica of S. M. di Collemaggio

The basilica of Santa Maria di Collemaggio is a religious building in L'Aquila, located just outside the city walls, on the hill of the same name. Founded in 1288 at the behest of Pietro da Morrone - crowned pope here with the name of Celestino V on 29 August 1294 - it is considered the highest expression of Abruzzo architecture, as well as the symbol of the city and was declared a national monument in 1902. Since 1327 houses the remains of the pontiff, currently preserved inside the mausoleum of Celestino V, built in 1517 by Girolamo da Vicenza, master of Andrea Palladio. It is the seat of an annual jubilee, the first in history, established with the Bull of Forgiveness of 29 September 1294 and known as Perdonanza Celestiniana; therefore, it is characterized by the presence of a Holy Door on the side facade. The church, which boasts the title of minor basilica together with the fellow citizens San Bernardino and San Giuseppe Artigiano, has been remodeled several times over the centuries mainly due to the damage caused by frequent earthquakes and presents a mixture of different architectural styles. Following the 2009 earthquake, it was subjected to consolidation and restoration works which ended in 2017.

Morro D’Oro. Church of SS. Salvatore

At the entrance to the town of Morro D'Oro (Teramo), 210 m above sea level, there is the Church of SS.mo Salvatore. It is also dedicated to St. Nicholas of Bari, patron saint of Morro D'Oro

Isola del G. Sasso d’I. San G. dell'Addolorata

The sanctuary of S. Gabriele dell'Addolorata is a sanctuary of the Catholic Church located at the foot of the Gran Sasso d'Italia, in the municipality of Isola del Gran Sasso d'Italia.

Scanno (Scannë in Abruzzo) is an Italian town of 1 883 inhabitants located in the province of L'Aquila, in Abruzzo. The municipal territory, surrounded by the Marsicani Mountains, is partly included within the borders of the National Park of Abruzzo, Lazio and Molise and is in turn part of the Peligna mountain community. It is an important winter and summer resort and is part of the club The most beautiful villages in Italy. In the surroundings there are the homonymous lake, which however belongs for three quarters to the municipality of Villalago, the ski resorts of Passo Godi and Monte Rotondo, the plateaus of Monte Greco and Lake Pantaniello, as well as the natural reserve of the Sagittario Gorges. Scanno is also known as the City of Photographers; a place much appreciated by many Italian and foreign authors. Throughout the twentieth century, its unmistakable views and its people were the subjects of many famous shots taken by Hilde Lotz-Bauer, Henri Cartier-Bresson, Mario Giacomelli, Renzo Tortelli, Gianni Berengo Gardin, Ferdinando Scianna, Mario Cresci and many others . In 1964 it was a photograph taken in Scanno by Mario Giacomelli that became part of the prestigious collection of photographic works of the Museum of Modern Art in New York. This image is known as The Scanno Boy, or Scanno Boy.

The Rio Verde was born in Quarto, between Abruzzo and Molise, and after a short path it joins the Sangro with a considerable difference in height (400 m) creating the spectacular waterfalls divided into three consecutive jumps of 200 meters.

Fara San Martino, Chieti. San Martino in Valle Abbey

The abbey of San Martino in Valle is a ruined Benedictine abbey near the Gole di Fara San Martino in Fara San Martino in the province of Chieti. The first historical sources on the Church located inside the Castle of Rocca S. Martino date back to 829 which list it among the possessions of the monastery of Santo Stefano in Lucania of Tornareccio, to which it had been donated by Pepin the Short. In 844 it passed under the control of the bishop of Spoleto and subsequently among the possessions of the abbey of San Liberatore a Majella. In 1044 the Theatine count Credindeo on his deathbed and for the redemption of his soul and his loved ones (recalling the capitulars of the Longobard king Liutprando) donated the church to the venerable priest Isberto so that he could endow it with an independent Benedictine monastery. In 1172 it became part of the diocese of Chieti. In 1222 Pope Honorius II confirmed the donation of Count Credindeo. The monastery was suppressed in 1452 by Pope Nicholas V and united with the Vatican Chapter, to return in 1789 to the archdiocese of Chieti. The definitive abandonment of the monastery took place on 8 September 1818 due to a flood that covered it with debris. The first excavations for its recovery took place in 1891, but only with those of 2009 were the remains of the structure fully brought to light. The remains of the abbey show a gate to an internal courtyard bordered by a three-arched portico, on the north side of which is a bell gable. The interior of the church had to have three naves with stone slab flooring. A wall with three arches separates the central nave from the northern one, from where one enters what must have been the initial nucleus of the church, dug into the rock, which suggests the birth of the place of worship as a hermitage.

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