Recanati. The church of S. Agostino
2022
The church of Sant'Agostino is a religious building in Recanati. The structure is known for its bell tower which inspired Giacomo Leopardi's poem Il spero solitario.
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2022
Wonderful view of the Marche hills
2022
Recanati. Landscapes and views
Recanati is an Italian town of 20 975 inhabitants in the province of Macerata in the Marche region.
2022
Recanati. Church of S. Anna
Built in 1400 and rebuilt in 1700. In it there is a faithful reproduction of the Holy House of Loreto as it was before the fire of 1921 and an ancient image of the Madonna.
2024
Torre di Palme. Church of Sant'Agostino
Church of Sant'Agostino. the Polyptych by Vittore Crivelli. The building is entirely made of brick and has two entrances. The interior has a single room, covered by wooden trusses.
2024
Acquaviva Picena. Church of San Rocco
Church of San Rocco (13th century), Romanesque. It is the oldest church in Acquaviva and today the interior appears nineteenth-century.
2022
Marche. Wonderful view of the Marche hills
The Marche, a region of eastern Italy, rises between the Apennine mountains and the Adriatic Sea.
2022
Recanati. Views
Recanati is an Italian town of 20 975 inhabitants in the province of Macerata in the Marche region.
2022
Ascoli Piceno, Marche. The Cathedral of San Emidio
The city's cathedral, dedicated to the patron saint, stands on the site of a Roman public building, perhaps the Basilica del Foro, and is the result of multiple construction events that substantially range from the 11th to the 16th century.
2024
Spectacular winter landscape of the Marche hills
2022
Ascoli Piceno. The Cathedral of San Emidio
The city's cathedral, dedicated to the patron saint, stands on the site of a Roman public building, perhaps the Basilica del Foro, and is the result of multiple construction events that substantially range from the 11th to the 16th century. The main facade created by Cola dell'Amatrice opens onto Piazza Arringo, while the two side facades date back to the end of the 15th century. The interior, with three naves divided by polygonal pillars, from the end of the fifteenth century, houses, among the various works, in the central apse a late Gothic wooden choir from the first half of the fifteenth century, a wooden pulpit from around 1660; in the Chapel of the Sacrament the Polyptych of Sant'Emidio by Carlo Crivelli, the imposing decorative cycle by Cesare Mariani, and the crypt of Sant'Emidio, built in the mid-11th century which houses, in a 4th century sarcophagus, the relics of the patron saint of the city.