Spectacular landscapes and views 2024

The national park of Abruzzo, Lazio and Molise is one of the oldest national parks in Italy, officially established on 11 January 1923 by Royal decree-law including for the most part in the province of L'Aquila and the remainder in that of Frosinone and in that of Isernia.

The Aventine is a 45 km long river in Abruzzo, born from the sources of Capo di Fiume, located within the municipality of Palena, located at 863 m above sea level, downstream of the Cotaio stream.

The National Park of Abruzzo, Lazio and Molise is a national park including for the most part (about 3/4) in the province of L'Aquila in Abruzzo and for the remainder in that of Frosinone in Lazio and in that of Isernia in Molise. It was inaugurated on 9 September 1922 in Pescasseroli, the current headquarters and central management of the park, while the body of the same name had already been established on 25 November 1921 with a provisional directorate. Its establishment took place officially with the Royal decree-law of 11 January 1923.

Begun in the 13th century, it was completed in the 15th century. The rose window has the head of the Baptist in the center. The three internal naves are divided by octagonal pillars

Scanno (Scannë in Abruzzo) is an Italian town of 1 883 inhabitants located in the province of L'Aquila, in Abruzzo. The municipal territory, surrounded by the Marsicani Mountains, is partly included within the borders of the National Park of Abruzzo, Lazio and Molise and is in turn part of the Peligna mountain community. It is an important winter and summer resort and is part of the club The most beautiful villages in Italy. In the surroundings there are the homonymous lake, which however belongs for three quarters to the municipality of Villalago, the ski resorts of Passo Godi and Monte Rotondo, the plateaus of Monte Greco and Lake Pantaniello, as well as the natural reserve of the Sagittario Gorges. Scanno is also known as the City of Photographers; a place much appreciated by many Italian and foreign authors. Throughout the twentieth century, its unmistakable views and its people were the subjects of many famous shots taken by Hilde Lotz-Bauer, Henri Cartier-Bresson, Mario Giacomelli, Renzo Tortelli, Gianni Berengo Gardin, Ferdinando Scianna, Mario Cresci and many others . In 1964 it was a photograph taken in Scanno by Mario Giacomelli that became part of the prestigious collection of photographic works of the Museum of Modern Art in New York. This image is known as The Scanno Boy, or Scanno Boy.

The church of Santa Maria di Ronzano stands on a hill in the Mavone valley. The building belonged to the abbey monastic complex of the Benedictine order who also had the convent here.

Built starting in 1713 for the victims of the earthquake of 1703, it is the symbol of the eighteenth-century reconstruction of the city and represents the maximum expression of the religious architecture of L'Aquila in the eighteenth century.

Parish Church of the Child Jesus or of Saints Nicholas and Clemente. The parish church, originally dedicated to SS. Nicola and Clemente, was dedicated in 2015 to the Child Jesus, with a Decree of the archbishop mons. Bruno Strong. It is located in Piazza Umberto I, in front of the town hall. The original building dates back to the 16th century. An epigraph on the bell tower attests that the church was built in 1589 in the eighteenth century two windows were added on the facade for more light. The portico, located on the right side, dates back to the 20th century. The facade is rectangular. A tympanum dominates the portal, while a rose window is decorated with some little heads of angels. The portico has six bays with a round arch. The bell tower has three levels marked on the outside by a stringcourse frame. The interior has three naves, one central and two lateral. In the side aisles there are minor altars, with representations of saints. In the right aisle appear, in order, a niche with St. Sebastian, a first modern altar with an effigy of the Divine Mercy (recently set up), which houses the baptismal font, the latter covered by a late Gothic wooden chest dating back to the nineteenth century. Subsequently there is an altar with Our Lady of Sorrows and the dead Christ, then an altar with St. Anthony of Padua and finally a last one with the representation of the Sacred Heart of Jesus. In the left aisle there is, in order, a first altar with the Madonna del Rosario, then an altar with a painting of the Madonna delle Grazie. Subsequently an altar with S. Cesidio, followed by that in honor of S. Giuseppe. Finally there is a niche with S. Gabriele dell'Addolorata. At the back of the church, on the entrance door, there is a mezzanine supported by four columns, which houses a pipe organ built in the 17th century. At the end to the left of the central nave there is a wooden pulpit, with representations of the life of Jesus. The main altar is located at the end of the central nave, located in the center of the presbytery and is illuminated by the light from the dome. Behind the altar is the urn of the Holy Child, with the tabernacle below.