Celano. Church of St. John the Baptist

The basilica of Santa Maria di Collemaggio is a religious building in L'Aquila, located just outside the city walls, on the hill of the same name. Founded in 1288 at the behest of Pietro da Morrone - crowned pope here with the name of Celestino V on 29 August 1294 - it is considered the highest expression of Abruzzo architecture, as well as the symbol of the city and was declared a national monument in 1902. Since 1327 houses the remains of the pontiff, currently preserved inside the mausoleum of Celestino V, built in 1517 by Girolamo da Vicenza, master of Andrea Palladio. It is the seat of an annual jubilee, the first in history, established with the Bull of Forgiveness of 29 September 1294 and known as Perdonanza Celestiniana; therefore, it is characterized by the presence of a Holy Door on the side facade. The church, which boasts the title of minor basilica together with the fellow citizens San Bernardino and San Giuseppe Artigiano, has been remodeled several times over the centuries mainly due to the damage caused by frequent earthquakes and presents a mixture of different architectural styles. Following the 2009 earthquake, it was subjected to consolidation and restoration works which ended in 2017.

Wedged between the alleys of the village, the Church of Santa Maria degli Angeli in Civitella del Tronto is, according to some historical sources, the oldest church in the town.

The church of San Giovanni ad Insulam, also known as the church of San Giovanni al Mavone, stands isolated on a small hill that flanks the Mavone river in the valley of the same name.

Parish Church of the Child Jesus or of Saints Nicholas and Clemente. The parish church, originally dedicated to SS. Nicola and Clemente, was dedicated in 2015 to the Child Jesus, with a Decree of the archbishop mons. Bruno Strong. It is located in Piazza Umberto I, in front of the town hall. The original building dates back to the 16th century. An epigraph on the bell tower attests that the church was built in 1589 in the eighteenth century two windows were added on the facade for more light. The portico, located on the right side, dates back to the 20th century. The facade is rectangular. A tympanum dominates the portal, while a rose window is decorated with some little heads of angels. The portico has six bays with a round arch. The bell tower has three levels marked on the outside by a stringcourse frame. The interior has three naves, one central and two lateral. In the side aisles there are minor altars, with representations of saints. In the right aisle appear, in order, a niche with St. Sebastian, a first modern altar with an effigy of the Divine Mercy (recently set up), which houses the baptismal font, the latter covered by a late Gothic wooden chest dating back to the nineteenth century. Subsequently there is an altar with Our Lady of Sorrows and the dead Christ, then an altar with St. Anthony of Padua and finally a last one with the representation of the Sacred Heart of Jesus. In the left aisle there is, in order, a first altar with the Madonna del Rosario, then an altar with a painting of the Madonna delle Grazie. Subsequently an altar with S. Cesidio, followed by that in honor of S. Giuseppe. Finally there is a niche with S. Gabriele dell'Addolorata. At the back of the church, on the entrance door, there is a mezzanine supported by four columns, which houses a pipe organ built in the 17th century. At the end to the left of the central nave there is a wooden pulpit, with representations of the life of Jesus. The main altar is located at the end of the central nave, located in the center of the presbytery and is illuminated by the light from the dome. Behind the altar is the urn of the Holy Child, with the tabernacle below.

Borrello (Burièlle in Abruzzo) is an Italian town of 326 inhabitants in the province of Chieti in Abruzzo. It is part of the mountain community of Medio Sangro. The municipality of Borrello, as also handed down by Benedetto Croce, was a fief of the Borrello family: the Abruzzo philosopher claims to have found a document from the year 1000 that would suggest a certain dominion of this family already at the end of the 18th century. In fact, the news is also confirmed by the most ancient historical sources, consulted and collected in the eighteenth century by Anton Ludovico Antinori for the drafting of his Annali degli Abruzzi, in which the progenitor of the dynasty, a certain Borrello from whom the Castle then took its name and he perpetuated it over the centuries, he would have been a Frankish leader descended from the Counts of the Marsi. Croce, on the other hand, states that the family descends from some exponent of the Borel family of French origin. At the beginning of the 20th century, many of the country's inhabitants emigrated to the United States and northern Europe. After the bombing of the Second World War the city was completely rebuilt.

Built in 1602, the facade is made of stone blocks and features a Gothic-style rose window. The door is surmounted by a lunette with a painting of St. Nicholas and the Madonna with Child.

The construction of the church and oratory of San Filippo Neri began in the mid-17th century and was completed in 1677. However, in the beginning the congregation was based - together with that of the Jesuit Fathers - in the church of Sant'Ignazio , located in Piazza XX Settembre and no longer existing today; only later did it move to Piazza Maggiore - the current Piazza Garibaldi - within the lively and populous Borgo Pacentrano. The earthquake of 1706 forced a reconstruction of the complex, which Baron Giambattista Mazara magnanimously took charge of between 1785 and 1794, deserving the commemorative plaque placed on the right wall of the church; the adjoining convent had to assume considerable decorum, so much so that in 1796 it was even able to host King Ferdinand IV of Bourbon on a visit to the city. In 1799, with the suppression of the Filipino order, the Fathers left the city and the sacred building, abandoned and reduced to profane use, was transformed into an oven and also used for military purposes. Likewise, the oratory, confiscated by the Royal Property, had various uses and today is the headquarters of the Command of the Guardia di Finanza. Only in 1920 did the church regain its religious use, becoming the seat of the parish of Sant'Agata. From here the traditional demonstration of the Madonna fleeing into the square begins on Easter morning, the joyful conclusion of Holy Week in Sulmona.

The Cathedral Basilica dedicated to St. Thomas the Apostle was built on the site of an ancient Roman temple. Destroyed by the Normans in 1060, it was rebuilt.