Teano. The Cathedral. Left side chapel

The Campanian Amphitheater or Capuano Amphitheater is a Roman amphitheater located in the city of Santa Maria Capua Vetere - coinciding with the ancient Capua - second in size only to the Colosseum in Rome. It is located within the municipal area of Santa Maria Capua Vetere, facing Piazza I Ottobre. A substantial part of its stones were used by the Capuans in the Norman era to erect the Castle of the Stones of the city of Capua; some of his ornamental busts, used in the past as keystones for the theater arches, were placed on the facade of the Town Hall of Capua.

Built in the fourteenth century, in Gothic style, by the Conventual Minors it was extensively remodeled in the Baroque age. The magnificent gilded wooden ceiling with one hundred finely carved coffers, with outlines decorated with wreaths of painted roses, for the splendor of the gilded mass wins the comparison with many other similar works. The panel in the center of the ceiling (St. Francis and the council), in which the popes Pius XII, John XXIII and Paul VI and the late bishop of Teano Mons. Sperandeo are depicted, is a modern work by Augusto De Rose. On the entrance door there is a large canvas of the Immaculate Conception by Girolamo Cenatiempo (first half of the 18th century).

Santa Maria degli Angeli, parish church of Pietrelcina, preserves the polychrome wooden statue of the Neapolitan school of the end of the seventeenth century depicting the Madonna della Libera, patron saint of Pietrelcina, which Padre Pio affectionately calls "our Madonnella". In this church Fra Pio began his apostolate and, having obtained the diaconate, he administered the first baptism to a child who later became a Redemptorist priest. In this regard it is said that Padre Pio put so much salt, that the newborn, opening his little mouth, squinted his eyes - "smerzava l`uocchie" - words of Brother Pio, who frightened ran to the archpriest Don Salvatore Pannullo, saying: " I killed the child ”. On the eve of the solemnity of the Assumption, on 14 August 1910, four days after being ordained a priest, Padre Pio celebrated his first mass. A few days later he wrote to Father Benedetto of San Marco in Lamis: "For several days I was a little sick; perhaps the main cause of this was the too much emotion to which the spirit has been subject in these days… my heart is overflowing with joy and it feels stronger and stronger to encounter any affliction, when it comes to pleasing Jesus ”. In this church Padre Pio had interminable moments of prayer and intimacy with God, ecstasy at the foot of the altar, and the mystical phenomenon of the fusion of hearts: "The heart of Jesus and mine, allow me the expression, were no longer two hearts that beat, but only one. My heart was gone, like a drop of water that gets lost in the sea ”. And again: "I feel everything burn without fire ... a thousand flames consume me, I feel I am dying continuously and still alive". Padre Pio celebrated masses in this church that were "too long" and "incomprehensible mystery" so much so that the guardian father had asked the parish priest to recall him in his mind, because in this way he would immediately obey him out of holy obedience.

Ancient Campania (often also identified as Campania Felix or even Ager Campanus) originally indicated the territory of the city of Capua Antica in the Roman period, and later also the plains of the various neighboring municipalities. It was a very vast territory when compared with the other Italic cities of the Roman and pre-Roman periods. It stretched from the slopes of Mount Massico (in the north) to the south of the Phlegrean Fields and the Vesuvian area. Initially it also included the ager Falernus, then it was greatly scaled down from Rome due to the alliance of the city of Capua with Annibale. Thanks to the fertility of the soil also due to the presence of the Volturno river, it deserved the name of Campania Felix.

The natural cypress forest extends above the town of Fontegreca, in the Zappini wood up to the valley of the Sava river. It is a destination for tourists, for its very healthy air.

The Matese regional park is a protected natural area in Campania. Established with regional law n. 33 of 1993 came into operation only in 2002. The park covers an area of ​​33,326.53 hectares. The Matese park was established with the Campania regional law n. 33 of 1 September 1993 entitled "Establishment of parks and nature reserves in Campania". Due to the lack of approval of the implementing rules of regional law n. 33 of 1993, the park came into operation only in 2002. The reference standard is the resolution of the Campania Regional Council no. 1407 of 12 April 2002. Since 2006, the Matese Regional Park Authority has been based in San Potito Sannitico, in the province of Caserta. The park's first president was Giuseppe Scialla, a university professor and environmentalist. Following the revision of the Italian budget law 2018, the rule was approved that contemplates the future transformation of the Matese park into a national park, with probable involvement of the provinces of Isernia and Campobasso. The territory of the park mainly includes the Matese mountain massif. The highest mountains, of limestone nature, are Mount Mutria, Mount Gallinola and Mount Miletto. The park takes its name from the Matese lake. Another important lake is that of Letino. The park is crossed by two important rivers: the Titerno river and the Tammaro river. The vegetation of the Matese massif is made up, in the lower area, of holm oaks, hornbeams, strawberry trees and other elements typical of the Mediterranean scrub; as you go up, these species are first replaced by Turkey oak and chestnut and by majestic and imposing beech trees. Here and there you can find wild rowan, maple, dogwood, ash, ash and silver fir. Among the numerous herbaceous plants of the clearings and the undergrowth we note the gentian, the foxglove and above all the omnipresent Sambucus ebulus, the most characteristic plant that accompanies the beech forest in the most open and luminous open spaces. The fauna of the massif is also very rich due to the presence of the three lakes (del Matese, di Gallo, di Letino). In addition to the typical species of the broad-leaved forest (fox, marmot, badger, dormouse, great spotted woodpecker, tordella, jay, owl) there are also species of more open environments, such as hare and wild boar, or bare rocky crags such as the black redstart and the rare rock partridge. Among the exceptional presences we find the golden eagle that nests in the steep rocky walls of Valle dell'Inferno, but above all that of the wolf, regularly sighted in the municipalities of Letino and Gallo Matese. The presence of the lakes also favors the settlement of coots and ducks, herons and even storks. In the waters of these reservoirs we find carp, tench, perch, eel and pike, the three last species introduced by man.

Galleria Umberto I is a shopping gallery built in Naples between 1887 and 1890. It is dedicated to Umberto I of Italy, in memory of his generous presence during the cholera epidemic of 1884.

The Monastery of S. Reparata, probably founded in the 9th century, was canonically suppressed after the Council of Trent, due to the prohibition against holding female monasteries outside the town. The nuns were welcomed in the Monastery of S. Caterina. The Monastery of S. Reparata is located along the road to Roccamonfina, in the Pino district and its foundation is not prior to 804 as it is not mentioned in the privilege of Charlemagne, which lists all the Benedictine possessions in Teano. The most probable date is the second half of the century. IX. According to the Bishop Mons. Domenico Giordano, the transfer of S. Reparata to the Cathedral took place in the year 880. It is one of the most important monasteries in Teano because the remains of Santa Reparata, who is the patron saint of Nice, are kept inside the church. his diocese, of the cities of Atri and Casoli; she co-patroness of Florence, of Teano, of the diocese of Teramo-Atri and patroness and protector of the municipality of Pesco Sannita.

The Belvedere of San Leucio is a monumental complex in that of Caserta, wanted by Charles of Bourbon, king of Naples and Sicily (and later king of Spain with the name of Charles III), which is considered, together with the Royal Palace of Caserta and all 'Vanvitelli Aqueduct, a UNESCO World Heritage Site.

The cathedral, originally dedicated to San Terenziano, was later named after San Clemente. Construction began in 1050 by Bishop Guglielmo, to replace the old cathedral of San Paride ad Fontem, located outside the city walls. The works were completed in 1116 by Bishop Pandulfo. The building has a basilica structure divided into three naves by two rows of columns. In 1608 it was damaged internally by a fire that almost completely destroyed the cosmates ambo, subsequently recomposed using the remains of the previous one integrated with the marble slabs of a fourteenth-century sepulchral monument already present in the church and positioned on twisted columns, two of which rested on fountain lions. During the 16th century the Romanesque apse was modified and on that occasion a precious carved wooden choir was built in the presbytery, built in 1539 by the Benedictine Antonio Maria Sertorio. The choir underwent two restorations, the first in the 17th century and the second in 1957, following the damage suffered during the Second World War.