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2016
Villalago (AQ) - Hermitage of S. Domenico
The hermitage of San Domenico is a small church, located in the territory of the municipality of Villalago (AQ), in the Sagittario valley, on the shore of the homonymous Lake of San Domenico. It includes a cave dug into the limestone, in which according to tradition, around the year 1000 the Benedictine monk San Domenico lived. San Domenico came from Sora, and was housed in the Benedictine monastery of San Pietro de Lacu, which has now disappeared; later he also went to nearby Cocullo, where he healed a girl bitten by a snake. At the road he also tamed a wolf, who had kidnapped an infant from the cradle, while his parents were chopping wood in the woods. And the miracle will be reproduced on votive canvases on the porch of the hermitage. The actual hermitage was built around the fifteenth century, when the cult of St. Dominic spread. Before the construction of the dam and the consequent formation of the lake, in 1929, the hermitage had a different exterior, with a mullioned portico and a recessed facade with a large window, and was accessible from a medieval bridge in a serious state of conservation. With the dam, the new stone bridge was built in a fake medieval style and the facade of the hermitage was rebuilt.
2024
Albe, Massa d’Albe, L’Aquila. Church of San Nicola
Built in 1602, the facade is made of stone blocks and features a Gothic-style rose window. The door is surmounted by a lunette with a painting of St. Nicholas and the Madonna with Child.
2024
Archaeological site of Alba Fucens
Alba Fucens is a site that arose in the 4th century BC in an elevated and well-fortified position, on approximately 34 hectares at 966 m above sea level, on the slopes of Mount Velino in Abruzzo.
2023
Lama dei Peligni. Church of S. Nicholas and Clemente
Parish Church of the Child Jesus or of Saints Nicholas and Clemente. The parish church, originally dedicated to SS. Nicola and Clemente, was dedicated in 2015 to the Child Jesus, with a Decree of the archbishop mons. Bruno Strong. It is located in Piazza Umberto I, in front of the town hall. The original building dates back to the 16th century. An epigraph on the bell tower attests that the church was built in 1589 in the eighteenth century two windows were added on the facade for more light. The portico, located on the right side, dates back to the 20th century. The facade is rectangular. A tympanum dominates the portal, while a rose window is decorated with some little heads of angels. The portico has six bays with a round arch. The bell tower has three levels marked on the outside by a stringcourse frame. The interior has three naves, one central and two lateral. In the side aisles there are minor altars, with representations of saints. In the right aisle appear, in order, a niche with St. Sebastian, a first modern altar with an effigy of the Divine Mercy (recently set up), which houses the baptismal font, the latter covered by a late Gothic wooden chest dating back to the nineteenth century. Subsequently there is an altar with Our Lady of Sorrows and the dead Christ, then an altar with St. Anthony of Padua and finally a last one with the representation of the Sacred Heart of Jesus. In the left aisle there is, in order, a first altar with the Madonna del Rosario, then an altar with a painting of the Madonna delle Grazie. Subsequently an altar with S. Cesidio, followed by that in honor of S. Giuseppe. Finally there is a niche with S. Gabriele dell'Addolorata. At the back of the church, on the entrance door, there is a mezzanine supported by four columns, which houses a pipe organ built in the 17th century. At the end to the left of the central nave there is a wooden pulpit, with representations of the life of Jesus. The main altar is located at the end of the central nave, located in the center of the presbytery and is illuminated by the light from the dome. Behind the altar is the urn of the Holy Child, with the tabernacle below.
2024
Fossacesia. Abbey of San Giovanni in Venere
It is a Christian monastic complex located in the municipality of Fossacesia, on a hill overlooking the Adriatic Sea. The complex is made up of a basilica and the nearby convent.
2017
Mainarde
Mountain range which, compared to the Abruzzo National Park, extends from north to south and whose crests delimit the border between Lazio (west) and Molise (east). Due to its importance both from a naturalistic and faunistic point of view, the mountain range was inserted by presidential decree in the Abruzzo National Park in January 1990. It includes high altitude peaks that are around 2000 meters: Monte Meta (2241), Monte Metuccia, Coste dell'Altare, Monte Mare (2020), Monte Cavallo (2039), Monte Forcellone (2030). The Mainarde, like the rest of the Apennine mountains, are very ancient and of limestone origin. On them the erosion of winds and waters has left clear traces in gorges, gullies and beautiful potholes of the giants, the latter very clearly visible by anyone who looks out from the viewpoint of San Michele. Covered by dense arboreal vegetation (beech groves) up to an altitude of 1800-1900 meters, the Mainarde - beyond this altitude - offer a spectacular turf, ideal habitat for particular types of endangered fauna such as the Abruzzo chamois the Marsican brown bear, the Apennine wolf and the lynx.
2025
Crecchio. The Ducal Castle De Riseis-D'Aragona
The castle is composed of four corner towers that enclose as many buildings. It is surrounded by a perimeter of walls that also enclose a garden.
2024
Castel Castagna. The church of Santa Maria di Ronzano
The church of Santa Maria di Ronzano stands on a hill in the Mavone valley. The building belonged to the abbey monastic complex of the Benedictine order who also had the convent here.
2017
Monte Amaro
2009
Scanno (AQ)
Scanno (Scannë in Abruzzo) is an Italian town of 1 883 inhabitants located in the province of L'Aquila, in Abruzzo. The municipal territory, surrounded by the Marsicani Mountains, is partly included within the borders of the National Park of Abruzzo, Lazio and Molise and is in turn part of the Peligna mountain community. It is an important winter and summer resort and is part of the club The most beautiful villages in Italy. In the surroundings there are the homonymous lake, which however belongs for three quarters to the municipality of Villalago, the ski resorts of Passo Godi and Monte Rotondo, the plateaus of Monte Greco and Lake Pantaniello, as well as the natural reserve of the Sagittario Gorges. Scanno is also known as the City of Photographers; a place much appreciated by many Italian and foreign authors. Throughout the twentieth century, its unmistakable views and its people were the subjects of many famous shots taken by Hilde Lotz-Bauer, Henri Cartier-Bresson, Mario Giacomelli, Renzo Tortelli, Gianni Berengo Gardin, Ferdinando Scianna, Mario Cresci and many others . In 1964 it was a photograph taken in Scanno by Mario Giacomelli that became part of the prestigious collection of photographic works of the Museum of Modern Art in New York. This image is known as The Scanno Boy, or Scanno Boy.
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