Civitella del Tronto. The Church of S. M. degli Angeli

It was built in 1886 in neo-Romanesque style. It has a main façade characterized by brick cladding. The interior has three naves, in neo-Romanesque style.

The village of Borrello, as also handed down by Benedetto Croce, was a fief of the Borrello family: the Abruzzo philosopher claims to have found a document from the year 1000 which would suggest some lordship of this family already at the end of the 10th century. In fact, the news is also confirmed in the most ancient historical sources, consulted and collected in the eighteenth century also by Antinori for the drafting of his Annali degli Abruzzi, in which the progenitor of the dynasty, a certain Borrello from whom the Castle then took its name and he perpetuated it over the centuries, he would have been a Frankish leader linked to the Counts of the Marsi. Croce, on the other hand, asserts that the family descends from some exponent of the Borel family of French origin.

The church of S. Francesco or sanctuary of the Eucharistic Miracle is annexed to the homonymous convent of the Friars Conventual. It contains the famous relics of the Eucharistic miracle of Lanciano.

Parish Church of the Child Jesus or of Saints Nicholas and Clemente. The parish church, originally dedicated to SS. Nicola and Clemente, was dedicated in 2015 to the Child Jesus, with a Decree of the archbishop mons. Bruno Strong. It is located in Piazza Umberto I, in front of the town hall. The original building dates back to the 16th century. An epigraph on the bell tower attests that the church was built in 1589 in the eighteenth century two windows were added on the facade for more light. The portico, located on the right side, dates back to the 20th century. The facade is rectangular. A tympanum dominates the portal, while a rose window is decorated with some little heads of angels. The portico has six bays with a round arch. The bell tower has three levels marked on the outside by a stringcourse frame. The interior has three naves, one central and two lateral. In the side aisles there are minor altars, with representations of saints. In the right aisle appear, in order, a niche with St. Sebastian, a first modern altar with an effigy of the Divine Mercy (recently set up), which houses the baptismal font, the latter covered by a late Gothic wooden chest dating back to the nineteenth century. Subsequently there is an altar with Our Lady of Sorrows and the dead Christ, then an altar with St. Anthony of Padua and finally a last one with the representation of the Sacred Heart of Jesus. In the left aisle there is, in order, a first altar with the Madonna del Rosario, then an altar with a painting of the Madonna delle Grazie. Subsequently an altar with S. Cesidio, followed by that in honor of S. Giuseppe. Finally there is a niche with S. Gabriele dell'Addolorata. At the back of the church, on the entrance door, there is a mezzanine supported by four columns, which houses a pipe organ built in the 17th century. At the end to the left of the central nave there is a wooden pulpit, with representations of the life of Jesus. The main altar is located at the end of the central nave, located in the center of the presbytery and is illuminated by the light from the dome. Behind the altar is the urn of the Holy Child, with the tabernacle below.

The basilica of Santa Maria di Collemaggio is a religious building in L'Aquila, located just outside the city walls, on the hill of the same name. Founded in 1288 at the behest of Pietro da Morrone - crowned pope here with the name of Celestino V on 29 August 1294 - it is considered the highest expression of Abruzzo architecture, as well as the symbol of the city and was declared a national monument in 1902. Since 1327 houses the remains of the pontiff, currently preserved inside the mausoleum of Celestino V, built in 1517 by Girolamo da Vicenza, master of Andrea Palladio. It is the seat of an annual jubilee, the first in history, established with the Bull of Forgiveness of 29 September 1294 and known as Perdonanza Celestiniana; therefore, it is characterized by the presence of a Holy Door on the side facade. The church, which boasts the title of minor basilica together with the fellow citizens San Bernardino and San Giuseppe Artigiano, has been remodeled several times over the centuries mainly due to the damage caused by frequent earthquakes and presents a mixture of different architectural styles. Following the 2009 earthquake, it was subjected to consolidation and restoration works which ended in 2017.

Santa Maria de Arabona is an abbey dating back to the end of the 12th century located in the hamlet of the same name in the municipality of Manoppello (PE), declared a national monument in 1902.

The church of San Pietro in Albe stands on the hill of San Pietro, one of the three hills surrounding Alba Fucens, the Roman city founded in 304 BC at the foot of Mount Velino.

The hermitage of San Domenico is a small church, located in the territory of the municipality of Villalago (AQ), in the Sagittario valley, on the shore of the homonymous Lake of San Domenico. It includes a cave dug into the limestone, in which according to tradition, around the year 1000 the Benedictine monk San Domenico lived. San Domenico came from Sora, and was housed in the Benedictine monastery of San Pietro de Lacu, which has now disappeared; later he also went to nearby Cocullo, where he healed a girl bitten by a snake. At the road he also tamed a wolf, who had kidnapped an infant from the cradle, while his parents were chopping wood in the woods. And the miracle will be reproduced on votive canvases on the porch of the hermitage. The actual hermitage was built around the fifteenth century, when the cult of St. Dominic spread. Before the construction of the dam and the consequent formation of the lake, in 1929, the hermitage had a different exterior, with a mullioned portico and a recessed facade with a large window, and was accessible from a medieval bridge in a serious state of conservation. With the dam, the new stone bridge was built in a fake medieval style and the facade of the hermitage was rebuilt.

The Rio Verde was born in Quarto, between Abruzzo and Molise, and after a short path it joins the Sangro with a considerable difference in height (400 m) creating the spectacular waterfalls divided into three consecutive jumps of 200 meters.