Stiffe Caves, Abruzzo, Italy

2023

The Stiffe caves are a complex of karst caves located near Stiffe, in the territory of the municipality of San Demetrio ne' Vestini (AQ), in Abruzzo, included within the Sirente-Velino regional natural park. Testimony of a unique active resurgence in Italy, made accessible to the public since 1991, today they constitute one of the main naturalistic sites of the L'Aquila area, recording over 40,000 visitors annually. The Stiffe caves represent one of the best-known karst phenomena in central Italy. The complex has been used since the Bronze Age even if archaeological remains have been found inside it dating back to the Neolithic and Eneolithic. The presence of an underground stream that gave rise to the complex led, in 1907 and on the initiative of the Marquis Alfonso Cappelli, to the construction of a hydroelectric plant of which some remains are still visible today near the entrance to the cavities. In 1956, when the plant was dismantled, the first speleological explorations began; after a first visit in 1957, the following year it was the Marche Speleological Group of Ancona that went beyond the first natural siphon. Subsequently, the Roman Speleological Group and, starting from the eighties, the Aquilano Speleological Group continued the first exploration attempts. The speleological excursions were then followed by a process of valorisation of the site which led to the opening of the complex to the public in 1991. In 1994 a mixed group of speleologists from L'Aquila and France managed to access for the first time the unexplored area after the first waterfall while in 1996 the speleology museum named after Vincenzo Rivera was opened. A second extension of the tourist route, up to the current length of about 700 m, was made in 2007 with the opening of the second waterfall to visitors, while the extension of the explored part of the cavity exceeds one kilometre. From 1996 to 2018 the site was managed by the public-private company Progetto Stiffe S.p.A. while it is currently managed directly by the Municipality of San Demetrio ne' Vestini. The 2009 earthquake led to a closure of the caves for safety reasons; the complex was only reopened to the public in 2011.

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Barrea and its lake. Glimpses of autumn

Barrea (Varréa in Barreano dialect) is an Italian municipality of 705 inhabitants in the province of L'Aquila in Abruzzo. Located in Alto Sangro, it is a tourist resort thanks to the presence of the lake of the same name and the national park of Abruzzo, Lazio and Molise. Barrea is located in a mountain area belonging to the Alto Sangro basin and Lake Barrea. The inhabited center, located at an altitude of 1,060 m above sea level, occupies a protrusion at the eastern end of the lake enclosed by the steep sides of the Meta mountains to the south and Mount Greco to the north. The lake was created in 1951 by damming the Sangro river and is used for the production of electricity. The Barrea Lake Wetland, managed by the Abruzzo Lazio and Molise National Park Authority, has been on the list of areas covered by the Ramsar Convention since 1976.

Spectacular autumnal landscapes. Foliage

Abruzzo is an Italian region located east of Rome, between the Adriatic and the Apennines. The hinterland is mostly made up of national parks and nature reserves. The region also includes medieval and Renaissance villages perched on the hills. The regional capital, L'Aquila, is a city surrounded by walls, damaged by the earthquake of 2009. The Costa dei Trabocchi, with its sandy coves, takes its name from the traditional fishing jetties.

P.N.A.L.M. - Part I

The National Park of Abruzzo, Lazio and Molise is a national park including for the most part (about 3/4) in the province of L'Aquila in Abruzzo and for the remainder in that of Frosinone in Lazio and in that of Isernia in Molise. It was inaugurated on 9 September 1922 in Pescasseroli, the current headquarters and central management of the park, while the body of the same name had already been established on 25 November 1921 with a provisional directorate. Its establishment took place officially with the Royal decree-law of 11 January 1923.

Archaeological site of Alba Fucens

Alba Fucens is a site that arose in the 4th century BC in an elevated and well-fortified position, on approximately 34 hectares at 966 m above sea level, on the slopes of Mount Velino in Abruzzo.

L'Aquila - Basilica of San Bernardino

The basilica of San Bernardino is a religious building in L'Aquila, located in the quarter of Santa Maria. It was built, with the adjacent convent, between 1454 and 1472 in honor of San Bernardino da Siena, whose remains are kept inside the mausoleum of the Saint built by Silvestro dell'Aquila. The façade, erected in the following century by Cola dell'Amatrice with Michelangelo's influences, is considered the highest expression of Renaissance architecture in Abruzzo. The interior, in Baroque style, is due to the reconstruction of the building following the earthquake of 1703 by several designers - including certainly Filippo Barigioni, Sebastiano Cipriani and Giovan Battista Contini - and preserves important works of art by Andrea della Robbia, Francesco Bedeschini, Pompeo Cesura, Rinaldo Fiammingo and Donato Teodoro, in addition to the aforementioned Silvestro dell'Aquila, also author of the mausoleum of Maria Pereyra Camponeschi. The carved wooden ceiling decorated with pure gold is the work of Ferdinando Mosca. It was included in the list of national monumental buildings in 1902 and elevated to the rank of minor basilica by Pope Pius XII in 1946. Due to the earthquake of 2009 which severely damaged the apse and the bell tower, the basilica was subjected to repair and consolidation works and was reopened in 2015.

Manoppello. The Holy Face

The Holy Face is a depiction of the face of Jesus preserved in Manoppello, in the Basilica of the Holy Face.

Sulmona. Church of San Filippo Neri

The construction of the church and oratory of San Filippo Neri began in the mid-17th century and was completed in 1677. However, in the beginning the congregation was based - together with that of the Jesuit Fathers - in the church of Sant'Ignazio , located in Piazza XX Settembre and no longer existing today; only later did it move to Piazza Maggiore - the current Piazza Garibaldi - within the lively and populous Borgo Pacentrano. The earthquake of 1706 forced a reconstruction of the complex, which Baron Giambattista Mazara magnanimously took charge of between 1785 and 1794, deserving the commemorative plaque placed on the right wall of the church; the adjoining convent had to assume considerable decorum, so much so that in 1796 it was even able to host King Ferdinand IV of Bourbon on a visit to the city. In 1799, with the suppression of the Filipino order, the Fathers left the city and the sacred building, abandoned and reduced to profane use, was transformed into an oven and also used for military purposes. Likewise, the oratory, confiscated by the Royal Property, had various uses and today is the headquarters of the Command of the Guardia di Finanza. Only in 1920 did the church regain its religious use, becoming the seat of the parish of Sant'Agata. From here the traditional demonstration of the Madonna fleeing into the square begins on Easter morning, the joyful conclusion of Holy Week in Sulmona.

Caporciano (AQ) S. Maria di Centurelli

The church is located in the fork between the tratturo L'Aquila-Foggia and the tratturo Centurelle-Montesecco, making it a strategic structure in the period in which transhumance played a fundamental role in the economy of southern Italy.

The village of Borrello, as also handed down by Benedetto Croce, was a fief of the Borrello family: the Abruzzo philosopher claims to have found a document from the year 1000 which would suggest some lordship of this family already at the end of the 10th century. In fact, the news is also confirmed in the most ancient historical sources, consulted and collected in the eighteenth century also by Antinori for the drafting of his Annali degli Abruzzi, in which the progenitor of the dynasty, a certain Borrello from whom the Castle then took its name and he perpetuated it over the centuries, he would have been a Frankish leader linked to the Counts of the Marsi. Croce, on the other hand, asserts that the family descends from some exponent of the Borel family of French origin.

Sulmona. Complex of the Santissima Annunziata.

The Santissima Annunziata complex is the most famous and representative monument of the city of Sulmona, declared a national monument in 1902. The main entrance to the complex is on the Annunziata square although other interesting visual glimpses of the building, especially for architectural interest, are admirable from the adjacent streets, via Pantaleo and via Paolina. The church, founded in 1320 by the confraternity of the Compenitenti together with the annexed hospital, does not retain traces of the original construction, both due to the damage suffered in the earthquake of 1456 and due to the architectural transformation interventions which radically modified the original structure of the sixteenth century. Furthermore, another ruinous seismic event, that of 1706, led to a new, important reconstruction intervention which gave the church a Baroque appearance, with an imposing façade with two orders of columns, the work of Maestro Norberto Cicco from Pescocostanzo ( 1710). The interior is divided into three naves and is covered with stuccos. Among the paintings that embellish the church are the frescoes by Giambattista Gamba on the vaults and the canvases on the side altars, among which the Pentecost of 1598 by a Florentine master and the Communion of the Apostles by Alessandro Salini stands out for their quality. The apse instead presents two works by Giuseppe Simonelli, a pupil of Luca Giordano, the Nativity and the Presentation in the temple and an Annunciation by Lazzaro Baldi, a Tuscan artist who was a pupil of Pietro da Cortona. The choir, in wood, was made by the local artist Bartolomeo Balcone between 1577 and 1579, while the part underneath the organs, in a vaguely rococo style, in carved and gilded wood, is by Ferdinando Mosca. The organs, on the other hand, are the one on the left side by Tommaso Cefalo di Vasto (1749) and the one on the right side was built by the Fedeli di Camerino in 1753. At the end of the right aisle is the altar of the Virgin, in polychrome marble, a work partly executed by the Roman artist Giacomo Spagna (1620), with subsequent contributions by artists from Pescocostanzo. On the right side, shortly after the entrance, there is the tomb of Panfilo Serafini, a Sulmona patriot who died in 1864. The sacristy has carved furniture dating back to 1643 with a series of sacred furnishings from the Baroque era and Neapolitan-made silverware; there are numerous pieces from the church that are placed on display in the local Civic Museum. The bell tower (built between 1565 and 1590, imposing, just over 65 meters high, has a square plan with sides of 7.20 m; it is built on two floors with a pyramidal spire and 4 mullioned windows on each floor. It is the bell tower and tallest tower in Abruzzo.The church was reopened for worship in December 2012 after three years of closure due to the 2009 earthquake.

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