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2016
Villalago (AQ) - Hermitage of S. Domenico
The hermitage of San Domenico is a small church, located in the territory of the municipality of Villalago (AQ), in the Sagittario valley, on the shore of the homonymous Lake of San Domenico. It includes a cave dug into the limestone, in which according to tradition, around the year 1000 the Benedictine monk San Domenico lived. San Domenico came from Sora, and was housed in the Benedictine monastery of San Pietro de Lacu, which has now disappeared; later he also went to nearby Cocullo, where he healed a girl bitten by a snake. At the road he also tamed a wolf, who had kidnapped an infant from the cradle, while his parents were chopping wood in the woods. And the miracle will be reproduced on votive canvases on the porch of the hermitage. The actual hermitage was built around the fifteenth century, when the cult of St. Dominic spread. Before the construction of the dam and the consequent formation of the lake, in 1929, the hermitage had a different exterior, with a mullioned portico and a recessed facade with a large window, and was accessible from a medieval bridge in a serious state of conservation. With the dam, the new stone bridge was built in a fake medieval style and the facade of the hermitage was rebuilt.
2018
L'Aquila - Basilica of S. M. di Collemaggio
The basilica of Santa Maria di Collemaggio is a religious building in L'Aquila, located just outside the city walls, on the hill of the same name. Founded in 1288 at the behest of Pietro da Morrone - crowned pope here with the name of Celestino V on 29 August 1294 - it is considered the highest expression of Abruzzo architecture, as well as the symbol of the city and was declared a national monument in 1902. Since 1327 houses the remains of the pontiff, currently preserved inside the mausoleum of Celestino V, built in 1517 by Girolamo da Vicenza, master of Andrea Palladio. It is the seat of an annual jubilee, the first in history, established with the Bull of Forgiveness of 29 September 1294 and known as Perdonanza Celestiniana; therefore, it is characterized by the presence of a Holy Door on the side facade. The church, which boasts the title of minor basilica together with the fellow citizens San Bernardino and San Giuseppe Artigiano, has been remodeled several times over the centuries mainly due to the damage caused by frequent earthquakes and presents a mixture of different architectural styles. Following the 2009 earthquake, it was subjected to consolidation and restoration works which ended in 2017.
2022
Abruzzo, Italy. Spectacular sunrise.
2009
Scanno (AQ)
Scanno (Scannë in Abruzzo) is an Italian town of 1 883 inhabitants located in the province of L'Aquila, in Abruzzo. The municipal territory, surrounded by the Marsicani Mountains, is partly included within the borders of the National Park of Abruzzo, Lazio and Molise and is in turn part of the Peligna mountain community. It is an important winter and summer resort and is part of the club The most beautiful villages in Italy. In the surroundings there are the homonymous lake, which however belongs for three quarters to the municipality of Villalago, the ski resorts of Passo Godi and Monte Rotondo, the plateaus of Monte Greco and Lake Pantaniello, as well as the natural reserve of the Sagittario Gorges. Scanno is also known as the City of Photographers; a place much appreciated by many Italian and foreign authors. Throughout the twentieth century, its unmistakable views and its people were the subjects of many famous shots taken by Hilde Lotz-Bauer, Henri Cartier-Bresson, Mario Giacomelli, Renzo Tortelli, Gianni Berengo Gardin, Ferdinando Scianna, Mario Cresci and many others . In 1964 it was a photograph taken in Scanno by Mario Giacomelli that became part of the prestigious collection of photographic works of the Museum of Modern Art in New York. This image is known as The Scanno Boy, or Scanno Boy.
2024
Alfedena. The Castle
Alfedena Castle is the ruin of a castle dating back to the 10th-11th century in the Italian municipality of the same name of which an octagonal tower and parts of the walls remain. The ruins are located in a dominant position over the town, along Via Luigi De Amicis. The wall rests its foundations directly on the rocky thickness of the mountain hill overlooking Alfedena, has an irregular circular appearance, with multiple layers of walls, and double curtain walls with fornix-shaped entrances are preserved. The tower, although cut off at the top, is the best preserved element. The castle was founded around the 10th century by the Frankish lords, who divided the county of Marsi between them. In fact, Alfedena was among these possessions and, on top of the castle hill, a fortified tower was built, which communicated with those of the other villages, such as Scontrone, Castel di Sangro and Barrea. The tower with an irregular plan was rebuilt in the 13th century, as demonstrated by the octagonal structure, perhaps before it had a cylindrical base, the fact is that it testifies to the ancient function of the castle, which was that of lookout, guarding the town below, developed from the 14th century onwards, and together with the fortified enclosure, it also served as a shelter for citizens during periods of emergency, such as sieges. In the 14th century it was a fiefdom of Simone Di Sangro, the rich family from the Peligna valley, who had various fiefdoms, only to then pass to Giacomo Caldora in 1422. In 1456 a serious earthquake damaged the castle, which slowly lost the ancient central function of Alfedena, given that the main political and economic activities developed further and further downstream, along the Pescasseroli-Candela sheep track. The castle was enfeoffed during the Spanish viceroyalty to various lords, but it never returned to its ancient functions, it was damaged again by the Maiella earthquake of 1706, then by the earthquakes of 1915 (Marsica earthquake) and 1984, being restored only in the first years 2000, to be visited as a panoramic location, together with the octagonal tower.
2024
Castel Castagna. The church of Santa Maria di Ronzano
The church of Santa Maria di Ronzano stands on a hill in the Mavone valley. The building belonged to the abbey monastic complex of the Benedictine order who also had the convent here.
2023
Scanno. The Church of San Rocco
The Church of San Rocco, known as the Madonna del Carmine is located in Scanno. It is also called the Madonna del Carmine, because since 1784 it has been the seat of a confraternity of the same name
2024
Santa Maria di Basciano. Church of S. M. in Porto Lungo
The Church of S. Maria a Porto Lungo is of notable artistic interest, dating back to the 14th century and, built on an ancient pagan temple, is in Romanesque style.
2024
Celano. Church of San Michele Arcangelo
The construction of the Church of San Michele Arcangelo dates back to the 14th century. At the end of the 14th century the Counts of Celano donated it to the congregation of the Celestine monks
2023
Lama dei Peligni. Church of S. Nicholas and Clemente
Parish Church of the Child Jesus or of Saints Nicholas and Clemente. The parish church, originally dedicated to SS. Nicola and Clemente, was dedicated in 2015 to the Child Jesus, with a Decree of the archbishop mons. Bruno Strong. It is located in Piazza Umberto I, in front of the town hall. The original building dates back to the 16th century. An epigraph on the bell tower attests that the church was built in 1589 in the eighteenth century two windows were added on the facade for more light. The portico, located on the right side, dates back to the 20th century. The facade is rectangular. A tympanum dominates the portal, while a rose window is decorated with some little heads of angels. The portico has six bays with a round arch. The bell tower has three levels marked on the outside by a stringcourse frame. The interior has three naves, one central and two lateral. In the side aisles there are minor altars, with representations of saints. In the right aisle appear, in order, a niche with St. Sebastian, a first modern altar with an effigy of the Divine Mercy (recently set up), which houses the baptismal font, the latter covered by a late Gothic wooden chest dating back to the nineteenth century. Subsequently there is an altar with Our Lady of Sorrows and the dead Christ, then an altar with St. Anthony of Padua and finally a last one with the representation of the Sacred Heart of Jesus. In the left aisle there is, in order, a first altar with the Madonna del Rosario, then an altar with a painting of the Madonna delle Grazie. Subsequently an altar with S. Cesidio, followed by that in honor of S. Giuseppe. Finally there is a niche with S. Gabriele dell'Addolorata. At the back of the church, on the entrance door, there is a mezzanine supported by four columns, which houses a pipe organ built in the 17th century. At the end to the left of the central nave there is a wooden pulpit, with representations of the life of Jesus. The main altar is located at the end of the central nave, located in the center of the presbytery and is illuminated by the light from the dome. Behind the altar is the urn of the Holy Child, with the tabernacle below.
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