Scanno (AQ)

2009

Scanno (Scannë in Abruzzo) is an Italian town of 1 883 inhabitants located in the province of L'Aquila, in Abruzzo. The municipal territory, surrounded by the Marsicani Mountains, is partly included within the borders of the National Park of Abruzzo, Lazio and Molise and is in turn part of the Peligna mountain community. It is an important winter and summer resort and is part of the club The most beautiful villages in Italy. In the surroundings there are the homonymous lake, which however belongs for three quarters to the municipality of Villalago, the ski resorts of Passo Godi and Monte Rotondo, the plateaus of Monte Greco and Lake Pantaniello, as well as the natural reserve of the Sagittario Gorges. Scanno is also known as the City of Photographers; a place much appreciated by many Italian and foreign authors. Throughout the twentieth century, its unmistakable views and its people were the subjects of many famous shots taken by Hilde Lotz-Bauer, Henri Cartier-Bresson, Mario Giacomelli, Renzo Tortelli, Gianni Berengo Gardin, Ferdinando Scianna, Mario Cresci and many others . In 1964 it was a photograph taken in Scanno by Mario Giacomelli that became part of the prestigious collection of photographic works of the Museum of Modern Art in New York. This image is known as The Scanno Boy, or Scanno Boy.

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Mountain range which, compared to the Abruzzo National Park, extends from north to south and whose crests delimit the border between Lazio (west) and Molise (east). Due to its importance both from a naturalistic and faunistic point of view, the mountain range was inserted by presidential decree in the Abruzzo National Park in January 1990. It includes high altitude peaks that are around 2000 meters: Monte Meta (2241), Monte Metuccia, Coste dell'Altare, Monte Mare (2020), Monte Cavallo (2039), Monte Forcellone (2030). The Mainarde, like the rest of the Apennine mountains, are very ancient and of limestone origin. On them the erosion of winds and waters has left clear traces in gorges, gullies and beautiful potholes of the giants, the latter very clearly visible by anyone who looks out from the viewpoint of San Michele. Covered by dense arboreal vegetation (beech groves) up to an altitude of 1800-1900 meters, the Mainarde - beyond this altitude - offer a spectacular turf, ideal habitat for particular types of endangered fauna such as the Abruzzo chamois the Marsican brown bear, the Apennine wolf and the lynx.

Abruzzo, Italy. Spectacular landscapes

Abruzzo is an Italian region located east of Rome, between the Adriatic and the Apennines. The hinterland is mostly made up of national parks and nature reserves. The region also includes medieval and Renaissance villages perched on the hills. The regional capital, L'Aquila, is a city surrounded by walls, damaged by the earthquake of 2009. The Costa dei Trabocchi, with its sandy coves, takes its name from the traditional fishing jetties.

Abruzzo, Italy. Spectacular autumnal landscapes

Abruzzo is an Italian region located east of Rome, between the Adriatic and the Apennines. The hinterland is mostly made up of national parks and nature reserves. The region also includes medieval and Renaissance villages perched on the hills. The regional capital, L'Aquila, is a city surrounded by walls, damaged by the earthquake of 2009. The Costa dei Trabocchi, with its sandy coves, takes its name from the traditional fishing jetties.

Civitella del Tronto. The Church of S. M. degli Angeli

Wedged between the alleys of the village, the Church of Santa Maria degli Angeli in Civitella del Tronto is, according to some historical sources, the oldest church in the town.

Barrea and its lake (AQ)

Barrea is located in a mountainous area overlooking the Sangro Valley and the Barrea Lake. The inhabited center, located at an altitude of 1,060 m a.s.l., occupies a ledge at the eastern end of the lake enclosed by the steep sides of the Meta mountains to the south and Mount Greco to the north. Its territory is included in the national park of Abruzzo, Lazio and Molise. The lake was formed in 1951 by the damming of the Sangro river and is used for the production of electricity. The Wetland of Lake Barrea, managed by the Abruzzo, Lazio and Molise National Park Authority, has been on the list of areas provided for by the Ramsar Convention since 1976.

L'Aquila - Basilica of S. M. di Collemaggio

The basilica of Santa Maria di Collemaggio is a religious building in L'Aquila, located just outside the city walls, on the hill of the same name. Founded in 1288 at the behest of Pietro da Morrone - crowned pope here with the name of Celestino V on 29 August 1294 - it is considered the highest expression of Abruzzo architecture, as well as the symbol of the city and was declared a national monument in 1902. Since 1327 houses the remains of the pontiff, currently preserved inside the mausoleum of Celestino V, built in 1517 by Girolamo da Vicenza, master of Andrea Palladio. It is the seat of an annual jubilee, the first in history, established with the Bull of Forgiveness of 29 September 1294 and known as Perdonanza Celestiniana; therefore, it is characterized by the presence of a Holy Door on the side facade. The church, which boasts the title of minor basilica together with the fellow citizens San Bernardino and San Giuseppe Artigiano, has been remodeled several times over the centuries mainly due to the damage caused by frequent earthquakes and presents a mixture of different architectural styles. Following the 2009 earthquake, it was subjected to consolidation and restoration works which ended in 2017.

Palena, Church of San Falco and Sant'Antonino

Parish church of the town, it was built in the 12th century, after the earthquake of 1706, it was built again, however maintaining the 14th century bell tower

Fara San Martino, Chieti. San Martino in Valle Abbey

The abbey of San Martino in Valle is a ruined Benedictine abbey near the Gole di Fara San Martino in Fara San Martino in the province of Chieti. The first historical sources on the Church located inside the Castle of Rocca S. Martino date back to 829 which list it among the possessions of the monastery of Santo Stefano in Lucania of Tornareccio, to which it had been donated by Pepin the Short. In 844 it passed under the control of the bishop of Spoleto and subsequently among the possessions of the abbey of San Liberatore a Majella. In 1044 the Theatine count Credindeo on his deathbed and for the redemption of his soul and his loved ones (recalling the capitulars of the Longobard king Liutprando) donated the church to the venerable priest Isberto so that he could endow it with an independent Benedictine monastery. In 1172 it became part of the diocese of Chieti. In 1222 Pope Honorius II confirmed the donation of Count Credindeo. The monastery was suppressed in 1452 by Pope Nicholas V and united with the Vatican Chapter, to return in 1789 to the archdiocese of Chieti. The definitive abandonment of the monastery took place on 8 September 1818 due to a flood that covered it with debris. The first excavations for its recovery took place in 1891, but only with those of 2009 were the remains of the structure fully brought to light. The remains of the abbey show a gate to an internal courtyard bordered by a three-arched portico, on the north side of which is a bell gable. The interior of the church had to have three naves with stone slab flooring. A wall with three arches separates the central nave from the northern one, from where one enters what must have been the initial nucleus of the church, dug into the rock, which suggests the birth of the place of worship as a hermitage.

Sulmona. Complex of the Santissima Annunziata.

The Santissima Annunziata complex is the most famous and representative monument of the city of Sulmona, declared a national monument in 1902. The main entrance to the complex is on the Annunziata square although other interesting visual glimpses of the building, especially for architectural interest, are admirable from the adjacent streets, via Pantaleo and via Paolina. The church, founded in 1320 by the confraternity of the Compenitenti together with the annexed hospital, does not retain traces of the original construction, both due to the damage suffered in the earthquake of 1456 and due to the architectural transformation interventions which radically modified the original structure of the sixteenth century. Furthermore, another ruinous seismic event, that of 1706, led to a new, important reconstruction intervention which gave the church a Baroque appearance, with an imposing façade with two orders of columns, the work of Maestro Norberto Cicco from Pescocostanzo ( 1710). The interior is divided into three naves and is covered with stuccos. Among the paintings that embellish the church are the frescoes by Giambattista Gamba on the vaults and the canvases on the side altars, among which the Pentecost of 1598 by a Florentine master and the Communion of the Apostles by Alessandro Salini stands out for their quality. The apse instead presents two works by Giuseppe Simonelli, a pupil of Luca Giordano, the Nativity and the Presentation in the temple and an Annunciation by Lazzaro Baldi, a Tuscan artist who was a pupil of Pietro da Cortona. The choir, in wood, was made by the local artist Bartolomeo Balcone between 1577 and 1579, while the part underneath the organs, in a vaguely rococo style, in carved and gilded wood, is by Ferdinando Mosca. The organs, on the other hand, are the one on the left side by Tommaso Cefalo di Vasto (1749) and the one on the right side was built by the Fedeli di Camerino in 1753. At the end of the right aisle is the altar of the Virgin, in polychrome marble, a work partly executed by the Roman artist Giacomo Spagna (1620), with subsequent contributions by artists from Pescocostanzo. On the right side, shortly after the entrance, there is the tomb of Panfilo Serafini, a Sulmona patriot who died in 1864. The sacristy has carved furniture dating back to 1643 with a series of sacred furnishings from the Baroque era and Neapolitan-made silverware; there are numerous pieces from the church that are placed on display in the local Civic Museum. The bell tower (built between 1565 and 1590, imposing, just over 65 meters high, has a square plan with sides of 7.20 m; it is built on two floors with a pyramidal spire and 4 mullioned windows on each floor. It is the bell tower and tallest tower in Abruzzo.The church was reopened for worship in December 2012 after three years of closure due to the 2009 earthquake.

Borrello (Burièlle in Abruzzo) is an Italian town of 326 inhabitants in the province of Chieti in Abruzzo. It is part of the mountain community of Medio Sangro. The municipality of Borrello, as also handed down by Benedetto Croce, was a fief of the Borrello family: the Abruzzo philosopher claims to have found a document from the year 1000 that would suggest a certain dominion of this family already at the end of the 18th century. In fact, the news is also confirmed by the most ancient historical sources, consulted and collected in the eighteenth century by Anton Ludovico Antinori for the drafting of his Annali degli Abruzzi, in which the progenitor of the dynasty, a certain Borrello from whom the Castle then took its name and he perpetuated it over the centuries, he would have been a Frankish leader descended from the Counts of the Marsi. Croce, on the other hand, states that the family descends from some exponent of the Borel family of French origin. At the beginning of the 20th century, many of the country's inhabitants emigrated to the United States and northern Europe. After the bombing of the Second World War the city was completely rebuilt.

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